Search results
Results: 15
Number of items: 15
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Schmidt, L. (2025). A Conditional Welcome: Early Dutch Television and the Affective Terms of Postcolonial Inclusion. TMG – Journal for Media History, 28(2). https://doi.org/10.18146/tmg.925
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Chow, Y. F., de Kloet, J., & Schmidt, L. (2024). It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong. (Contemporary East Asian Visual Cultures, Societies and Politics). Palgrave Macmillan. https://doi.org/10.1007/978-981-99-6710-0 -
Schmidt, L. (2021). Battling it out with Memes: Contesting Islamic Radicalism on Indonesian Social Media. In E. Cauduro, K. Randell, & K. A. Ritzenhoff (Eds.), Mediated Terrorism in the 21st century (pp. 107-125). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-73511-1_6
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Schmidt, L. (2021). Aesthetics of authority: ‘Islam Nusantara’ and Islamic ‘radicalism’ in Indonesian film and social media. Religion, 51(2), 237-258. https://doi.org/10.1080/0048721X.2020.1868387 -
Chow, Y. F., de Kloet, J., & Schmidt, L. (2020). Performing the Political: Reflections on Tatming Meeting George Orwell in 2017. In A. Fung, & A. Chik (Eds.), Made in Hong Kong: Studies in Popular Music (pp. 168-180). (Routledge Global Popular Music Series). Routledge. https://doi.org/10.4324/9780429276439-20
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Schmidt, L. (2018). Unearthing the Past and Re-imagining the Present: Contemporary Art and Muslim Politics in a Post-9/11 world. In C. Hudson, & B. Barendregt (Eds.), Globalization and Modernity in Asia: Performative Moments (pp. 71-88). (Asian Visual Cultures; Vol. 3). Amsterdam University Press. https://doi.org/10.5117/9789462981126_ch05
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