Search results
Results: 16
Number of items: 16
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Martin, N. (2025). “Taking responsibility for my frequencies”: Biosemiotics, Sylvia Wynter, and Alexis Pauline Gumbs. In F. Rudari , & L. Santos (Eds.), Contemporary Cultural Tools for Identities in the Making (pp. 127-140). (Routledge Studies in Material Culture and Politics). Routledge. https://doi.org/10.4324/9781032679952-13 -
Martin, N. (2025). Parochialism as Method: Pejorative, Partage, Pastoral. In M. Aydemir, A. Kuryel, & N. Roei (Eds.), The Future of Cultural Analysis: A Critical Inquiry (pp. 231-242). Amsterdam University Press. https://doi.org/10.1515/9789048559800-016, https://doi.org/10.2307/jj.22361586.18
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Willemars, I., & Martin, N. (2024). Preamble: Why replacement? In N. Martin, & I. Willemars (Eds.), The Replaceability Paradigm: Replacement and Irreplaceability From Dante to DeepDream (pp. 1-12). (Culture & Conflict; Vol. 26). De Gruyter. https://doi.org/10.1515/9783111286402-001
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Martin, N. (2021). The pot that should not exist: Item RV-362-67 and Sylvia Wynter's 'demonic ground'. Web publication or website, Research Center for Material Culture. https://www.materialculture.nl/en/research/publications/pot-should-not-exist
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Martin, N. (2021). Becoming Indigenous: [Review of: D. Anderson (2020) Landscape and Subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair]. Review 31. http://review31.co.uk/article/view/763/becoming-indigenous
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Martin, N. (2019). As ‘index and metaphor’: Migration and the Thermal Imaginary in Richard Mosse’s Incoming. Culture Machine, 17. http://culturemachine.net/vol-17-thermal-objects/as-index-and-metaphor/
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Martin, N. (2019). Breath on the windowpane: Precarious aesthetics and diegetic noise in Nick Broomfield’s Ghosts. Crossings, 10(2), 243-259. https://doi.org/10.1386/cjmc_00005_1
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Martin, N. (2018). Radiant Language and Entangled Listening in Svetlana Alexievich’s Chernobyl Prayer. Soapbox, 1(1), 65-72. https://www.soapboxjournal.net/print-editions/1-1-practices-of-listening
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Martin, N. (Guest ed.), & Rosello, M. (Guest ed.) (2016). Disorientation. Culture, Theory and Critique, 57(1). http://www.tandfonline.com/toc/rctc20/57/1
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Martin, N. (2016). On Beckton Alp: Iain Sinclair, garbage, and ‘obscenery’. In C. Lindner, & M. Meissner (Eds.), Global Garbage: Urban imaginaries of waste, excess, and abandonment (pp. 207-220). (Routledge Research in Sustainable Urbanism). Routledge. https://doi.org/10.4324/9781315732251
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