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Results: 26
Number of items: 26
  • Open Access
    van Maas, S. (2024). Opera on the Way: Jonathan Harvey's Wagner Dream. Opera Quarterly, 40, Article kbaf010. https://doi.org/10.1093/oq/kbaf010
  • Open Access
    van Maas, S. (2022). Ciphers of Change: Music and Apocalyse. Perspectiva Teológica, 54(3), 609-626. https://doi.org/10.20911/21768757v54n3p609/2022
  • van Maas, S. (2019). Leaving and Re-Entering: Punctuating Einstein on the Beach. In J. Novak, & J. Richardson (Eds.), Einstein on the Beach: Opera beyond Drama (pp. 213-230). (Ashgate interdisciplinary studies in opera). Routledge. https://doi.org/10.4324/9781315578989-13
  • van Maas, S. (2018). The Sovereign Ear: Handel's Water Music and Aural Historiography. In B. Hellemans, & A. Jones Nelson (Eds.), Images, Improvisations, Sound, and Silence from 1000 to 1800 - Degree Zero (pp. 157-176). (Knowledge Communities; Vol. 6). Amsterdam University Press.
  • van Maas, S. (2018). Opening the Audiobook. Comparative Literature, 70(3), 337-356. https://doi.org/10.1215/00104124-6991744
  • Sholl, R., & van Maas, S. (Eds.) (2017). Contemporary music and spirituality. Routledge. https://doi.org/10.4324/9781315573892
  • van Maas, S. (2017). Pärt and the Experience of the Neutral. In L. Dolp (Ed.), Arvo Pärt's White Light: Media, Culture, Politics (Vol. Cambridge, pp. 74-96). Cambridge University Press. https://doi.org/10.1017/9781316863459.004
  • Open Access
    Kromhout, M. J. (2017). Noise resonance: Technological sound reproduction and the logic of filtering. [Thesis, externally prepared, Universiteit van Amsterdam].
  • van Maas, S. (2016). The Curvatures of Salvation: Messiaen, Stockhausen, and Adams. In R. Sholl, & S. van Maas (Eds.), Contemporary Music and Spirituality (pp. 258-274). Routledge.
  • Hamel, M., van Maas, S., van Weelden, D., & Luijten, A. (Eds.) (2016). Speelruimte: Voor klassieke muziek in de 21ste eeuw. Hogeschool Codarts.
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