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Results: 11
Number of items: 11
  • de Bloois, J., & Hesselberth, P. (2021). Een politiek van de afzondering. Vooys, 39(1), 18-27.
  • Hesselberth, P., & de Bloois, J. (Eds.) (2020). Politics of Withdrawal: Media, Arts, Theory. Rowman & Littlefield.
  • Hesselberth, P., & de Bloois, J. (2020). Introduction: Towards a Politics of Withdrawal? In P. Hesselberth, & J. de Bloois (Eds.), Politics of Withdrawal: Media, Arts, Theory (pp. 1-12). Rowman & Littlefield.
  • Open Access
    Hesselberth, P., Houwen, J., Peeren, E., & de Vos, R. (2020). Automation, Representation, and the Question Concerning the Legibility of the Image/Machine Today. In G. Plaitano, S. Venturini, & P. Villa (Eds.), Moving Pictures, Living Machines: Automation, Animation and the Imitation of Life in Cinema and Media (pp. 233-238). (Cinema). Mimesis. https://hdl.handle.net/1887/3243718
  • Hesselberth, P., Houwen, J., Peeren, E., & de Vos, R. (Eds.) (2018). Legibility in the Age of Signs and Machines. (Thamyris/Intersecting; Vol. 33). Brill Rodopi. https://doi.org/10.1163/9789004376175
  • Open Access
    Hesselberth, P., Houwen, J., Peeren, E., & de Vos, R. (2018). Introduction: Legibility in the Age of Signs and Machines. In P. Hesselberth, J. Houwen, E. Peeren, & R. de Vos (Eds.), Legibility in the Age of Signs and Machines (pp. 1-17). (Thamyris/Intersecting; Vol. 33). Brill Rodopi. https://doi.org/10.1163/9789004376175_002
  • Open Access
    Hesselberth, P. (2012). Cinematic chronotopes: affective encounters in space-time. [Thesis, fully internal, Universiteit van Amsterdam].
  • Hesselberth, P. (2010). Handheld aesthetics: time-affect and home video narration. In F. Casetti, J. Gaines, & V. Re (Eds.), Dall'inizio alla fine: teorie del cinema in prospettiva: XVI Convegno Internazionale di Studi sul Cinema: FilmForum/2009 = In the very beginning and the very end: film theories in perspective: XVI International Film Studies Conference (pp. 395-401). Forum.
  • Hesselberth, P., & Schuster, L. (2008). Into the mind and out to the world: memory anxiety in the mind-game film. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 96-111). Amsterdam University Press.
  • Hesselberth, P. (2008). It's about time (or is it?) Warhol anno 2007? Apertúra : Filmelméleti és Filmtörténeti Szakfolyóirat, 3(4). http://apertura.hu/2008/nyar/hesselberth
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