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Results: 475
Number of items: 475
  • Elsaesser, T. (2009). Archaeologies of Interactivity: Early Cinema, Narrative and Spectatorship. In A. Ligensa, & K. Kreimeier (Eds.), Film 1900: technology, perception, culture (pp. 9-22). John Libbey.
  • Elsaesser, T. (2009). Freud as Media Theorist: mystic writing pads and the matter of memory. Screen, 50(1), 100-113. https://doi.org/10.1093/screen/hjn078
  • Elsaesser, T. (2009). Stepping sideways: SCMS Lifetime Membership address: March 6, 2008, Philadelphia, PA. Cinema Journal, 49(1), 121-127. https://doi.org/10.1353/cj.0.0159
  • Elsaesser, T. (2009). Between Erlebnis and Erfahrung: cinema experience with Benjamin. Paragraph, 32(3), 292-312. https://doi.org/10.3366/E0264833409000625
  • Elsaesser, T. (2009). Nowa Historia Filmu jako archeologia mediów. Kwartalnik Filmowy, 67-68, 8-41.
  • Elsaesser, T. (2009). Tales of epiphany and entropy: around the world in eighty clicks. In P. Snickars, & P. Vonderau (Eds.), The YouTube Reader (pp. 166-186, 494). (Mediehistoriskt arkiv; No. 12). National Library of Sweden.
  • Elsaesser, T. (2009). Too big and too close: Alfred Hitchcock and Fritz Lang. In S. Gottlieb, & R. Allen (Eds.), The Hitchcock annual anthology: selected essays from volumes 10-15 (pp. 146-170). Wallflower.
  • Elsaesser, T. (2009). 'Konstruktive Instabilität', oder: Das Leben der Dinge als Nachleben des Kinos? In S. Buchmann, H. Draxler, & S. Geene (Eds.), Film Avantgarde Biopolitik (pp. 86-119). (Schriften der Akademie der bildenden Künste Wien; No. 9). Schlebrügge.
  • Elsaesser, T. (2009). Fiona Tan: place after place. In S. Bos (Ed.), Fiona Tan - Disorient: Dutch Pavilion, La Biennale di Venezia (pp. 2.20-2.33). Kehrer.
  • Elsaesser, T. (2009). World cinema: realism, evidence, presence. In L. Nagib, & C. Mello (Eds.), Realism and the audiovisual media (pp. 3-19). Palgrave Macmillan. https://doi.org/10.1057/9780230246973
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