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Results: 475
Number of items: 475
  • Elsaesser, T. (2013). Saving Private Ryan: Retrospektion, Überlebensschuld und affektives Gedächtnis. In H. Kappelhoff, D. Gaertner, & C. Pogodda (Eds.), Mobilisierung der Sinne: der Hollywood-Kriegsfilm zwischen Genrekino und Historie (pp. 61-87). (Traversen; No. 13). Vorwerk 8.
  • Elsaesser, T. (2013). Ha-poʾeṭiḳah ṿeha-poliṭ̣iḳah shel ha-parapraḳsis. In S. Meʿiri, Y. Munḳ, A. Mendelson-Maʿoz, & L. Shṭayer-Livni (Eds.), Zehuyot be-hithavut ba-tarbut ha-Yiśreʾelit: sefer ha-yovel li-khevod Nurit Gerts = Identifies in transition in Israeli culture (pp. 407-426). Ha-Universiṭah ha-Petuḥah [Open University of Israel].
  • Elsaesser, T. (2013). Theatricality and Spectacle in La Règle du jeu, Le Carosse d'or, and Éléna et les hommes. In A. Philipps, & G. Vincendeau (Eds.), A companion to Jean Renoir (pp. 237-254). (Wiley-Blackwell companions to film directors; No. 9). Wiley-Blackwell. http://eu.wiley.com/WileyCDA/WileyTitle/productCd-1444338536.html
  • Elsaesser, T., & Buckland, W. (2013). The life-cycle of Slumdog Millionaire on the Web. In A. Gehlawat (Ed.), The Slumdog phenomenon: a critical anthology (pp. 179-199). (New perspectives on world cinema). Anthem Press.
  • Elsaesser, T. (2013). Multiculturalism: Europe’s Hope or Liberalism’s Hype? In Voortschrijdend inzicht: omdat de wetenschap niet stil staat (pp. 88-91). Amsterdam University Press. http://nl.aup.nl/books/9789048517640-voortschrijdend-inzicht.html
  • Elsaesser, T. (2013). Los actos tienen consecuencias. Lógicas del mind-game film en la trilogía de Los Ángeles de David Lynch. L’Atalante, 15, 7-18. http://www.revistaatalante.com/index.php?journal=atalante&page=article&op=view&path%5B%5D=35
  • Elsaesser, T. (2013). The "return" of 3-D: on some of the logics and genealogies of the image in the twenty-first century. Critical Inquiry, 39(2), 217-246. https://doi.org/10.1086/668523
  • Elsaesser, T. (2013). Maratończyk: Alexander Kluge - zawzięty strateg i erudyta niemieckiego kina. Ekrany, 2013(5), 56-61.
  • Elsaesser, T. (2013). A film noir német eredete? A filmtörténet és az ő imagináriusa. Apertúra : Filmelméleti és Filmtörténeti Szakfolyóirat, 2013(Summer). http://uj.apertura.hu/2013/nyar/elsaesser-a-film-noir-nemet-eredete-a-filmtortenet-es-az-o-imaginariusa/
  • Open Access
    Elsaesser, T. (2013). ImpersoNations: cinéma national, imaginaires historiques et nouveau cinéma européen. Mise au Point, 5. http://map.revues.org/1315
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