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Results: 475
Number of items: 475
  • Elsaesser, T. (1983). Les cinĂ©astes allemands en France: les annĂ©es trente. Goethe Institute, 1983.
  • Elsaesser, T. (1983). Working on the margins: Harun Farocki. Monthly Film Bulletin, 50(october), 267-270.
  • Elsaesser, T. (1983). Edgardo Cozarinsky on the high seas. Sight and Sound, 53(winter), 37-39.
  • Elsaesser, T. (1982). Discursive strategies. In E. Barker (Ed.), 1789 : reading writing revolution : proceedings of the Essex Conference on the Sociology of Literature July 1981 Essex University Press.
  • Elsaesser, T. (1982). Fascism, Fassbinder and the film industry. October, 21, 115-140.
  • Elsaesser, T. (1982). Social mobility and the fantastic. Wide Angle, 5(2), 14-25.
  • Elsaesser, T. (1982). Myth as phantasmagoria of history. New German Critique, 24/25, 108-154.
  • Elsaesser, T. (1982). Luchino Visconti. In S. Whitaker (Ed.), Visconti (pp. 32-35). Tyneside Cinema.
  • Elsaesser, T. (1981). Narrative cinema and audience aesthetics. In T. Bennett (Ed.), Popular television and film: a reader (pp. 270-282). BFI / Open University.
  • Elsaesser, T. (1981). Vincente Minnelli. In R. Altman (Ed.), Genre: the musical : a reader (pp. 8-27). Routledge & Kegan Paul.
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