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Results: 475
Number of items: 475
  • Elsaesser, T. (1992). Zwischen Mord und Selbstmord: die Politik der Verzweiflung? In G. Schlemmer, & G. Haberl (Eds.), Kinoschriften: Jahrbuch der Gesellschaft für Filmtheorie (pp. 57-87).
  • Elsaesser, T. (1992). État de la recherche et place du cinema. Hors Cadre, 10, 77-88.
  • Elsaesser, T. (1992). The new German cinema's historical imaginary. In C. Wickam, & B. Murray (Eds.), Framing the past: the historiography of German cinema and television (pp. 280-307). Southern Illinois Universith Press.
  • Elsaesser, T. (1992). Jacques Rivette and the end of cinema. Sight and Sound, 2, 20-23.
  • Elsaesser, T. (1992). Pabst's Dreigroschenoper: offenes Spiel mit doppeltem Boden. In U. Jung, & W. Schatzberg (Eds.), Filmkultur zur Zeit der Weimarer Republik: Beiträge zu einer internationalen Konferenz vom 15. bis 18. Juni 1989 in Luxemburg (pp. 153-173). Saur.
  • Elsaesser, T. (1992). E.A. Dupont: émigrant ou vagabond? In J. aumont, & D. Paini (Eds.), Les cinéastes en exil (pp. 67-85). La Cinémathèque française.
  • Elsaesser, T. (1992). Tales of sound and fury. In G. Mast, M. Cohen, & L. Braudy (Eds.), Film theory and criticism: introductory readings (pp. 244-258). Oxford University Press.
  • Elsaesser, T. (1992). Lulu und der Stromableser. In B. Riff, G. Schlemmer, & E. Wiesmayr (Eds.), Georg Wilhelm Pabst (pp. 77-114). MAkS.
  • Elsaesser, T. (1991). Mirror, muse, Medusa: experiment perilous. In K. Dibbets (Ed.), Nieuwe doelen: vijf voorbeelden van film- en televisiewetenschap (pp. 21-34). Vakgroep film- en televisiewetenschap, Universiteit van Amsterdam.
  • Elsaesser, T. (1991). Tales of sound and fury. In M. Landy (Ed.), Imitations of life: a reader on film & television melodrama (pp. 44-79). Wayne State University Press.
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