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Elsaesser, T. (1992). Emile Cohl and the origins of cinéma. Word & Image, 8(3), 284-287.
Elsaesser, T. (1992). Nationale cinema: de competitie met Hollywood. Skrien, 186, 50-53.
Elsaesser, T. (1992). Filming fascism: is history just an old movie? Sight and Sound, 2.
Elsaesser, T. (1992). De eeuwig zingende zaag: Marlène Dietrich. Skrien, 185(aug/sep), 66-68.
Elsaesser, T. (1992). Le portrait paint au cinéma: mirror, muse, medusa. Iris (Paris), 14/15, 147-160.
Elsaesser, T. (1992). Krise zwischen Kunst und Kommerz: die Ufa in den 20er Jahren. In H. M. Bock, & M. Töteberg (Eds.), Das Ufa Buch (pp. 96-106). Zweitausendeins.
Elsaesser, T. (1992). TV through the looking-glass. Quarterly Review of Film and Video, 20-21, 66-68.
Elsaesser, T. (1992). Early German cinema: audiences, style and paradigms. Screen, 31(2), 205-214.