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Results: 475
Number of items: 475
  • Elsaesser, T. (1993). Dimendicando Fassbinder? In G. Spagnoletti (Ed.), Raioner Werner Fassbinder (pp. 46-55). Carte Segrete.
  • Open Access
    Dibbets, K. H. F. M. (1993). Sprekende films: de komst van de geluidsfilm in Nederland 1928-1933. [Thesis, fully internal, Universiteit van Amsterdam]. Otto Cramwinckel.
  • Elsaesser, T. (1992). Emile Cohl and the origins of cinéma. Word & Image, 8(3), 284-287.
  • Elsaesser, T. (1992). Nationale cinema: de competitie met Hollywood. Skrien, 186, 50-53.
  • Elsaesser, T. (1992). Filming fascism: is history just an old movie? Sight and Sound, 2.
  • Elsaesser, T. (1992). De eeuwig zingende zaag: Marlène Dietrich. Skrien, 185(aug/sep), 66-68.
  • Elsaesser, T. (1992). Le portrait paint au cinéma: mirror, muse, medusa. Iris (Paris), 14/15, 147-160.
  • Elsaesser, T. (1992). Krise zwischen Kunst und Kommerz: die Ufa in den 20er Jahren. In H. M. Bock, & M. Töteberg (Eds.), Das Ufa Buch (pp. 96-106). Zweitausendeins.
  • Elsaesser, T. (1992). TV through the looking-glass. Quarterly Review of Film and Video, 20-21, 66-68.
  • Elsaesser, T. (1992). Early German cinema: audiences, style and paradigms. Screen, 31(2), 205-214.
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