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Results: 475
Number of items: 475
  • Elsaesser, T. (1998). Le cinéma allemand: image et idée. In C. MacCabe (Ed.), De Fritz Lang à lars von Trier: cinémas d'Europe du Nord (pp. 11-43). BFI / Mille et une Nuit.
  • Elsaesser, T., & Hoffmann, K. (1998). Cinema futures: Cain, Abel or cable? The screen arts in the digital age. (Film culture in transition). Amsterdam University Press.
  • Elsaesser, T. (1998). Augenweide am Auge des Maelstroms? Francis Ford Coppola inszeniert Bram Stoker's Dracula als den ewig jungen Mythos Hollywood. In A. Rost, & M. Sandbothe (Eds.), Die Filmgespenster der Postmoderne (pp. 63-105). Verlag der Autoren.
  • Elsaesser, T. (1998). El cinema aleman: sus origines y la primera decada. In J. Talens, & S. Zunzunegui (Eds.), Historia general del cine. - Vol. 3: Europa (1908-1918) (pp. 135-158). Cátedra.
  • Elsaesser, T. (1998). Ingmar Bergman - Person and Persona: The Mountain of Modern Cinema on the Road to Morocco. In H. Perridon (Ed.), Strindberg, Ibsen & Bergman: essays on Scandinavian film and drama offered to Egil Törnqvist on the occasion of his 65th birthday (pp. 35-59). Shaker Publishing.
  • Pisters, P. P. R. W. (1998). From eye to brain. Gilles Deleuze: refiguring the subject in film theory. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Elsaesser, T. (1997). Rappresentare l'irrapresentabile: i film dell'Olocausto. Drammaturgia, 4, 113-138.
  • Elsaesser, T. (1997). El concepto de cine nacional. Collectivo Eutopias, 166, 1-24.
  • Elsaesser, T. (1997). De vroege filmgeschiedenis: semi-finished? In K. Dibbets (Ed.), Honderd jaar film (pp. 33-50). IISG.
  • Elsaesser, T. (1997). What might we mean by media history. In K. Hickethier, E. Müller, & R. Rother (Eds.), Der Film in der Geschichte (pp. 98-105). Sigma.
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