Elsaesser, T. (1998). Early German cinema: case studies or recasting it all. In J. Fullerton (Ed.), Celebrating 1895: the centenary of cinema (pp. 337-340). Libbey.
Elsaesser, T. (1998). Sur Fritz Lang. Trafic, 26, 103-111.
Elsaesser, T., & Wedel, M. (1998). Apocalypse now: the hollow heart of Hollywood. In G. Moore (Ed.), Joseph Conrad on Film (pp. 151-175). Cambridge University Press.
Elsaesser, T. (1998). Raum-Körper: Peter Greenaways re-installation des Kinos. In J. Felix (Ed.), Unter der Haut: Signaturen des Selbst im Kino der Körper (pp. 45-66). Gardez.
Elsaesser, T. (1998). Time, travel, trauma and tresholds. In R. M. Friedmann, & N. Gertz (Eds.), Blurred boundaries (pp. 1-18). (Studies in cinema & television; No. 1). Kolnoa.
Elsaesser, T. (1998). Truth or Dare: Reality Checks on Indexicality, or the Future of Illusion. In A. Soderbergh Widding, & A. Koivunnen (Eds.), Cinema Studies into Visual Theory? (pp. 31-50). D-Vision.
Elsaesser, T. (1998). Das Kino der Weimarer Republik. In G. Nowell-Smith, & H. M. Bock (Eds.), Die Weltgeschichte des Films (hsg) (pp. 130-142). Metzler.
Elsaesser, T. (1998). Über den Nutzen der Enttäuschung: Filmkritik zwischen Cinephilie und Nekrophilie. In I. Schenk (Ed.), Filmkritik heute (pp. 91-114). Schüren.
Elsaesser, T. (1998). Louis Lumière: the cinema's first virtualist. In T. Elsaesser, & K. Hoffmann (Eds.), Cinema futures: Cain, Abel or cable? : the screen arts in the digital age (pp. 45-62). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (1998). Ethnicity, authenticity and exile: a counterfeit trade? In H. Naficy (Ed.), Home, exile, homeland : film, media, and the politics of place (pp. 97-124). (AFI film readers). Routledge.