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  • Post, J. (1984). Ruimtelijke integratie of segregatie van urbane vluchtelingen, deelnota 1, verslag vaneen studie naar de vestiging van vluchtelingen in Port Sudan. (Geografische en Planologische Notities; No. 34). Vrije Universiteit / Geografisch en Planologisch Instituut, Vakgroep Planologie.
  • de Muinck Keizer, M., Groen, F. C. A., Young, I. T., & Smeulders, A. W. M. (1984). An objective comparison of various centromere determination techniques. In W. Schlegel, & J. Bille (Eds.), Proceedings of the 5th European Chromosome Analysis Workshop Institute for Nuclear Medicine.
  • Elsaesser, T. (1984). Film history and visual pleasure. In P. Mellencamp, & P. Rosen (Eds.), Cinema histories, cinema practices (pp. 47-85). (American film institute monograph series; No. 4). University Publications of America.
  • van Wijnbergen, S. J. G. (1984). The 'Dutch disease': a disease after all? Economic Journal, 94(373), 41--. https://doi.org/10.2307/2232214
  • Ellman, M. J. (1984). Agricultural productivity under socialism. In M. J. Ellman (Ed.), Collectivisation, convergence and capitalism: Political economy in a divided world (pp. 198-214). (Studies in Political Economy). Harcourt Brace Jovanovich, Academic Press.
  • Ellman, M. J. (1984). nvestment planning in the state socialist countries and its relevance for reindustrialisation. In M. Ellman (Ed.), Collectivisation, convergence and capitalism: Political economy in a divided world (pp. ---). (Studies in Political Economy). Harcourt Brace Jovanovich, Academic Press.
  • Koopmans, J. (1984). Guigemar et sa Dame. Neophilologus, 68, 9-21. https://doi.org/10.1007/BF02064166
  • Landman, F., & Veltman, F. J. M. M. (1984). Varieties of formal semantics: proceedings of the fourth Amsterdam Colloquium, September 1982. (Groningen-Amsterdam Studies in Semantics; No. 3). Foris Publications.
  • Hulstijn, J. H. (1984). Vaardigheden in moedertaal en tweede taal: Cummins' theorie van wederzijdse afhankelijkheid. Levende Talen, 388, 18-23.
  • Elsaesser, T. (1984). Robert Altman's Nashville: putting on the show. Persistence of vision, 1, 35-43.
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