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Results: 475
Number of items: 475
  • Elsaesser, T. (2012). Cinema and Academia: Of Objects of Love and Objects of Study. In L. Passerini, J. Labanyi, & K. Diehl (Eds.), Europe and love in cinema (pp. 27-42). Intellect.
  • Elsaesser, T., & Hagener, M. (2012). 토마스 엘새서·말테 하게너. 커뮤니케이션북스 [Communication Books]. http://www.thomas-elsaesser.com/index.php?option=com_content&view=article&id=92:filmtheory&catid=42:korean&Itemid=75
  • Elsaesser, T. (2012). R.W. Fassbinder: Prodigal Son, Not Reconciled? In B. Peucker (Ed.), A companion to Rainer Werner Fassbinder (pp. 45-52). (Wiley-Blackwell companions to film directors; No. 3). Wiley-Blackwell. http://eu.wiley.com/WileyCDA/WileyTitle/productCd-1405191635.html
  • Elsaesser, T., & Hagener, M. (2012). Kino teorija: įvadas per juslių prizmę. (Kino raštai). Mintis. http://www.mintis.eu/serija-kino-rastai/653-kino-teorija-vadas-per-jusli-prizme-.html
  • Elsaesser, T. (2012). Our Hitler - A Film by Hans-Jürgen Syberberg. In K. Machtans, & M. A. Ruehl (Eds.), Hitler: films from Germany: history, cinema and politics since 1945 (pp. 72-96). (The Holocaust and its contexts). Palgrave Macmillan. https://doi.org/10.1057/9781137032386.0009
  • Elsaesser, T. (2012). Etwas wird sichtbar. In N. Grob, H. H. Prinzler, & E. Rentschler (Eds.), Neuer Deutscher Film (pp. 283-292). (Stilepochen des Films; No. 6). Reclam.
  • Elsaesser, T. (2012). Migration und Motiv: die (parapraktische) Erinnerung an ein Bild. In P. Geimer, & M. Hagner (Eds.), Nachleben und Rekonstruktion: Vergangenheit im Bild (pp. 159-176). Fink.
  • Elsaesser, T. (2012). Auto-contradictions performatives: les jeux mentaux de Michael Haneke. In V. Carré (Ed.), Fragments du monde: retour sur l'oeuvre de Michael Haneke (pp. 15-38). (Collection Ciné-politique). Le Bord de l'eau.
  • Open Access
    Elsaesser, T. (2012). World Cinema: Realismus, Evidenz, Präsenz. Soziale Systeme, 18(1+2), 386-402. http://www.soziale-systeme.ch/hefte/2012_zus.htm#elsa
  • Open Access
    Elsaesser, T. (2012). Stop/motion. In E. Røssaak (Ed.), Between stillness and movement: film, photography, algorithms (pp. 109-122). (Film Culture in Transition). Amsterdam University Press. http://www.oapen.org/download?type=document&docid=431802
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