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Results: 475
Number of items: 475
  • Elsaesser, T. (2004). Introduccion Harun Farocki. Otre parte, 2, 48-52.
  • Elsaesser, T. (2004). The New Film History as Media Archaeology. Cinémas, 14(2-3), 75-117. https://doi.org/10.7202/026005ar
  • Elsaesser, T. (2004). Paul Wegener. Cinéma & Cie, 5, 133-137.
  • Elsaesser, T., Horwath, A., & King, N. (2004). The last great American picture show: new Hollywood cinema in the 1970s. (Film culture in transition). Amsterdam University Press. https://doi.org/10.5117/9789053566312
  • Elsaesser, T. (2004). Evolutionary imagineer: Kubrick's authorship. In H. P. Reichmann (Ed.), Stanley Kubrick (pp. 136-147). (Kinematograph; No. 20). Deutsches Filmmuseum.
  • Elsaesser, T. (2004). The presence of Pathé in Germany. In M. Marie, & L. le Forestier (Eds.), La firme Pathé frères: actes du colloque Domitor (déc. 1996) (pp. 379-392). Association française de recherche sur l'histoire du cinéma.
  • Open Access
    Laine, T. K. (2004). Shame and desire. Intersubjectivity in Finnish visual culture. [Thesis, fully internal, Universiteit van Amsterdam]. ASCA.
  • Elsaesser, T. (2003). The new German cinema. In E. Ezra (Ed.), European cinema (pp. 194-213). Oxford University Press.
  • Elsaesser, T. (2003). "Where were you, when..." or "I phone, therefore I am". Publications of the Modern Language Association of America, 118, 120-122.
  • Elsaesser, T. (2003). The marathon man. Arcadia, 38(2), 407-413.
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