Elsaesser, T. (2004). Political filmmaking after Brecht. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 133-153). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). Making the world suprfluous: an interview. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 166-189). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). American auteur cinema: the last or first great picture show. In T. Elsaesser, A. Horwath, & N. King (Eds.), The last great American picture show (pp. 37-69). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). The pathos of failure: notes on the unmotivated hero. In T. Elsaesser, A. Horwath, & N. King (Eds.), The last great American picture show (pp. 279-292). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). Harun Farocki: working on the sight lines. (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). L'hypothèse du tableau volé, or how to add(ress) an absence. In A. Martin (Ed.), Raoul Ruiz: an annotated filmography IFFR.
Elsaesser, T., & Pool, W. (2004). Film. In D. Kohnstamm, & E. Cassee (Eds.), Nieuw cultureel woordenboek: encyclopedie van de algemene ontwikkeling (pp. 580-592). Anthos.
Elsaesser, T. (2004). Was wäre wenn du schon tot bist? Vom post-modernen zum post-mortem Kino, am Beispiel von 'Memento'. In C. Rüffert, & I. Schenk (Eds.), Zeitsprünge (pp. 115-125). Bertz.
Elsaesser, T. (2004). Louis Lumiere - prvni virtualista kinematografie. In P. Scczepanik (Ed.), Nova Filmova Historie (pp. 246-262). Hermann & Synove.
Elsaesser, T. (2004). Historie rané kinematografie a multimedia: Archeologie moznynch boudoucnosti. In P. Szczepanik (Ed.), Nova Filmova Historie (pp. 113-131). Hermann & Synove.