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Elsaesser, T. (2004). The pathos of failure: notes on the unmotivated hero. In T. Elsaesser, A. Horwath, & N. King (Eds.), The last great American picture show (pp. 279-292). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). Harun Farocki: working on the sight lines. (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). L'hypothèse du tableau volé, or how to add(ress) an absence. In A. Martin (Ed.), Raoul Ruiz: an annotated filmography IFFR.
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Elsaesser, T. (2004). Working on the margins. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 95-108). (Film culture in transition). Amsterdam University Press.
Elsaesser, T. (2004). Going live: body and voice in early sound cinema. In D. Nasta, & D. Huvelle (Eds.), Le son en perspective: nouvelles recherches ; New perspectives in sound studies (pp. 155-168). (Repenser le cinéma; No. 1). Lang.
Elsaesser, T. (2004). Evolutionary imagineer: Kubrick's authorship. In H. P. Reichmann (Ed.), Stanley Kubrick (pp. 136-147). (Kinematograph; No. 20). Deutsches Filmmuseum.
Elsaesser, T. (2004). The presence of Pathé in Germany. In M. Marie, & L. le Forestier (Eds.), La firme Pathé frères: actes du colloque Domitor (déc. 1996) (pp. 379-392). Association française de recherche sur l'histoire du cinéma.