Search results

    Filter results

  • Full text

  • Document type

  • Publication year

  • Organisation

Results: 475
Number of items: 475
  • Elsaesser, T. (2005). Moderne Gruesse. Cinéma & Cie, 7, 177-182.
  • Elsaesser, T. (2005). Zu spät, zu früh: Körper, Zeit und Aktionsraum in der Kinoerfahrung. In H. Schneider Brütsch, & v. Keirz (Eds.), Kinogefühle: Emotionalität und Film (pp. 415-440). Schüren Verlag.
  • Elsaesser, T. (2005). European cinema: face to face with Hollywood. (Film culture in transition). University Press.
  • Open Access
    Thanouli, E. (2005). Post-classical narration: a new paradigm in contemporary world cinema. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Baronian, M. A. M. L. (2005). Image et témoignage: vers une esthétique de la catastrophe. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Open Access
    Wedel, M. G. (2005). Der deutsche Musikfilm. Archaeologie eines Genres 1914-1945. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Hagener, M. (2005). Avant-garde culture and media strategies: the networks and discourses of the European film avant-garde, 1919-39. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Elsaesser, T. (2004). Filmmaker, artist, media theorist. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 11-40). (Film culture in transition). Amsterdam University Press.
  • Elsaesser, T. (2004). Working on the margins. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 95-108). (Film culture in transition). Amsterdam University Press.
  • Elsaesser, T. (2004). Going live: body and voice in early sound cinema. In D. Nasta, & D. Huvelle (Eds.), Le son en perspective: nouvelles recherches ; New perspectives in sound studies (pp. 155-168). (Repenser le cinéma; No. 1). Lang.
Page 17 of 48