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Results: 475
Number of items: 475
  • Elsaesser, T. (2005). Moderne Gruesse. Cinéma & Cie, 7, 177-182.
  • Elsaesser, T. (2005). European cinema: face to face with Hollywood. (Film culture in transition). University Press.
  • Elsaesser, T. (2005). Zu spät, zu früh: Körper, Zeit und Aktionsraum in der Kinoerfahrung. In H. Schneider Brütsch, & v. Keirz (Eds.), Kinogefühle: Emotionalität und Film (pp. 415-440). Schüren Verlag.
  • Open Access
    Thanouli, E. (2005). Post-classical narration: a new paradigm in contemporary world cinema. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Wedel, M. G. (2005). Der deutsche Musikfilm. Archaeologie eines Genres 1914-1945. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Hagener, M. (2005). Avant-garde culture and media strategies: the networks and discourses of the European film avant-garde, 1919-39. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Open Access
    Baronian, M. A. M. L. (2005). Image et témoignage: vers une esthétique de la catastrophe. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Elsaesser, T. (2004). Was wäre wenn du schon tot bist? Vom post-modernen zum post-mortem Kino, am Beispiel von 'Memento'. In C. Rüffert, & I. Schenk (Eds.), Zeitsprünge (pp. 115-125). Bertz.
  • Elsaesser, T. (2004). Political filmmaking after Brecht. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 133-153). (Film culture in transition). Amsterdam University Press.
  • Elsaesser, T. (2004). Making the world suprfluous: an interview. In T. Elsaesser (Ed.), Harun Farocki: working on the sight lines (pp. 166-189). (Film culture in transition). Amsterdam University Press.
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