Elsaesser, T. (2006). Discipline through Diegesis: The Rube film between attraction and integration. In W. Strauven (Ed.), The Cinema of Attractions Reloaded (pp. 205-223). Amsterdam University Press.
Elsaesser, T. (2006). C'est la fin de la chanson: Walter Reisch, l 'operette et la double négation. In M. Cerisuelo (Ed.), Vienne et Berlin a Hollywood (pp. 201-246). Presses Universitaires de France.
Elsaesser, T. (2006). Antigone Agonistes; urbana gerila ili gerilski urbanizam?Prelom, 6/7, 153-186.
Elsaesser, T. (2006). Geschichten und Gedächtnis: Zur Poetik der Fehlleistung im Mainstreamkino. In I. Schenk, & C. Rüffert (Eds.), Experiment Mainstream? Differenz und Uniformierung im populären Kino (pp. 31-42). Bertz & Fischer.
Elsaesser, T. (2006). Au Coeur de la pensée, une ame chargée de dynamite? In B. Benoliel, & D. M. Fleury (Eds.), Le cinema expressioniste allemand (pp. 40-51). Cinematheque francaise.
Elsaesser, T. (2006). Zu gross und zu nah: Alfred Hitchcock und Fritz Lang. In T. Koebner, & T. Meder (Eds.), Bildtheorie und Film (pp. 454-475). (edition text + kritik)..
Elsaesser, T. (2006). Fury. In M. Baute, & V. Pantenburg (Eds.), Night of the Hunter (pp. 271-271). (Minutentexte). Brinkman + Bose.
Elsaesser, T. (2006). Social Mobility and the Fantastic (in Russisch). New Literary Review, 83-103.
Ripmeester, H. (2006). Permitted performativities. The construction of youth in music videos. [Thesis, fully internal, Universiteit van Amsterdam].
de Valck, M. (2006). Film festivals : history and theory of a European phenomenon that became a global network. [Thesis, fully internal, Universiteit van Amsterdam]. ASCA.
