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Results: 475
Number of items: 475
  • Elsaesser, T. (2007). Social mobility and the fantastic: German silent cinema. In P. Grainge, M. Jancovich, & S. Monteith (Eds.), Film histories: an introduction and reader (pp. 130-146). Edinburgh University Press.
  • Elsaesser, T. (2007). Social Mobility and the Fantastic. In N. Samutina (Ed.), Fantastical Cinema (pp. 83-103). New Literary Review.
  • Open Access
    Behlil, M. (2007). Home away from home : global directors of new Hollywood. [Thesis, externally prepared, Universiteit van Amsterdam]. in eigen beheer.
  • Open Access
    Kedem, E. M. (2007). The kibbutz and Israeli cinema : deterritorializing representation and ideology. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Robnik, D. A. (2007). Kino, Krieg, Gedächtnis : Affekt-Ästhetik, Nachträglichkeit und Geschichtspolitik im deutschen und amerikanischen Gegenwartskino. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Elsaesser, T. (2006). The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity. In C. Schönfeld (Ed.), Practicing Modernity: Female Creativity in the Weimar Republic (pp. 27-49). Königshausen & Neumann.
  • Elsaesser, T. (2006). Double occupancy: space, place and identity in European cinema of the 1990s. Third Text, 20(6), 647-658. https://doi.org/10.1080/09528820601068716
  • Elsaesser, T. (2006). Gewalt im Kino: das Regime der Brüder. In A. von der Heiden (Ed.), Ideologische Mechanismen der Gewalt (pp. 135-164). VDG.
  • Elsaesser, T. (2006). European Cinema: Legacy of East and West, Ethnicity and History. Monitor, VIII(2), 145-169.
  • Elsaesser, T. (2006). La notion de genre et le film comme produit « semi-fini » : l’exemple de 'Weihnachtsglocken' de Franz Hofer (1914). 1895, 50, 67-85. http://1895.revues.org/document1262.html
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