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Results: 475
Number of items: 475
  • Elsaesser, T. (2007). Cinephilia - Film Studies - Cultural Studies. Frame.
  • Elsaesser, T. (2007). Von der Filmwissenschaft zu den Cultural Studies und zurück: Der Fall Grossbritannien. Zeitschrift für Kulturwissenschaften.
  • Open Access
    Behlil, M. (2007). Home away from home : global directors of new Hollywood. [Thesis, externally prepared, Universiteit van Amsterdam]. in eigen beheer.
  • Open Access
    Kedem, E. M. (2007). The kibbutz and Israeli cinema : deterritorializing representation and ideology. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Robnik, D. A. (2007). Kino, Krieg, Gedächtnis : Affekt-Ästhetik, Nachträglichkeit und Geschichtspolitik im deutschen und amerikanischen Gegenwartskino. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Elsaesser, T. (2006). The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity. In C. Schönfeld (Ed.), Practicing Modernity: Female Creativity in the Weimar Republic (pp. 27-49). Königshausen & Neumann.
  • Elsaesser, T. (2006). Double occupancy: space, place and identity in European cinema of the 1990s. Third Text, 20(6), 647-658. https://doi.org/10.1080/09528820601068716
  • Elsaesser, T. (2006). Gewalt im Kino: das Regime der Brüder. In A. von der Heiden (Ed.), Ideologische Mechanismen der Gewalt (pp. 135-164). VDG.
  • Elsaesser, T. (2006). Discipline through Diegesis: The Rube film between attraction and integration. In W. Strauven (Ed.), The Cinema of Attractions Reloaded (pp. 205-223). Amsterdam University Press.
  • Elsaesser, T. (2006). C'est la fin de la chanson: Walter Reisch, l 'operette et la double négation. In M. Cerisuelo (Ed.), Vienne et Berlin a Hollywood (pp. 201-246). Presses Universitaires de France.
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