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Results: 475
Number of items: 475
  • Elsaesser, T. (2008). Freud e i media tecnologici: la perdurante magia del Wunderblock. In L. Albano, & V. Pravadelli (Eds.), Cinema e psicoanalisi: tra cinema classico e nuove tecnologie (pp. 81-108). Quodlibet.
  • Elsaesser, T. (2008). Afterword: Digital cinema and the apparatus: archaeologies, epistemologies, ontologies. In B. Bennett, M. Furstenau, & A. Mackenzie (Eds.), Cinema and technology: cultures, theories, practices (pp. 226-240). Palgrave Macmillan.
  • Elsaesser, T. (2008). 'Die Nibelungen. Siegfried': 'I Nibelunghi. La morte di Sigfrido' (1924) di Fritz Lang. In P. Bertetto, & S. Toffetti (Eds.), Incontro ai fantasmi: il cinema espressionista (pp. 86-97). (Quaderni del CSC). Centro Sperimentale di Cinematografia.
  • Elsaesser, T. (2008). Ingmar Bergman im Museum? Grenzbereiche, Limiten, Möglichkeitsbedingungen. In In silent conversation with Ingmar Bergman: Kunstmuseum Thun (pp. 14-23). Christoph Merian Verlag.
  • Elsaesser, T. (2008). Ingmar Bergman in the museum? Thresholds, limits, conditions of possibility. In In silent conversation with Ingmar Bergman: Kunstmuseum Thun (pp. 92-100). Christoph Merian Verlag.
  • Elsaesser, T. (2008). Antigone Agonistes: urbana gerila ili gerilski urbanizam? Frakcija crvene armije, Njemačka u jesen i Igra smrti. In S. Horvat (Ed.), Mai 68 (pp. 192-221). (Up & Underground art dossier; No. 13/14). Bijeli Val.
  • Elsaesser, T. (2008). Ethical calculus: the cross-cultural dilemmas and moral burdens of Fatih Akin's 'The Edge of Heaven' [Review of: F. Akin (2007) Auf der anderen Seite = The edge of heaven]. Film Comment, 44, 34-37. http://iipa.chadwyck.com/articles/displayItemPDF.do?format=PAGE&PQID=1487445631&journalID=JID0015119X&royaltiesid=LOUJID0015119X&product=iipa
  • Elsaesser, T. (2008). Ingmar Bergman in the Museum? Thresholds, Limits, Conditions of Possibility. Site, 24, 2-3. http://www.sitemagazine.net/content/01-issues/17-24_2008/24.pdf
  • Elsaesser, T. (2008). Opowieści wściekłości i wrzasku: uwagi o rodzinnym melodramacie. Studia Filmoznawcze, 29, 11-39. http://sf.sjol.eu/preview/opowiesci-wscieklosci-i-wrzasku-uwagi-o-rodzinnym-melodramacie-2219
  • Elsaesser, T. (2008). Etnicita, autenticita a exil: falešný obchod? Němečtí filmoví tvůrci a Hollywood. Iluminace : časopis pro teorii, historii a estetiku filmu, 20(2), 35-57.
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