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Results: 475
Number of items: 475
  • Elsaesser, T. (2008). Afterword: Digital cinema and the apparatus: archaeologies, epistemologies, ontologies. In B. Bennett, M. Furstenau, & A. Mackenzie (Eds.), Cinema and technology: cultures, theories, practices (pp. 226-240). Palgrave Macmillan.
  • Elsaesser, T. (2008). 'Die Nibelungen. Siegfried': 'I Nibelunghi. La morte di Sigfrido' (1924) di Fritz Lang. In P. Bertetto, & S. Toffetti (Eds.), Incontro ai fantasmi: il cinema espressionista (pp. 86-97). (Quaderni del CSC). Centro Sperimentale di Cinematografia.
  • Elsaesser, T. (2008). Ingmar Bergman im Museum? Grenzbereiche, Limiten, Möglichkeitsbedingungen. In In silent conversation with Ingmar Bergman: Kunstmuseum Thun (pp. 14-23). Christoph Merian Verlag.
  • Elsaesser, T. (2008). Marathon man: the stubborn persistence of Alexander Kluge, German cinema's polymathic master strategist. Film Comment, 44(3), 52-64. http://iipa.chadwyck.com/articles/displayItemPDF.do?format=PAGE&PQID=1487445651&journalID=JID0015119X&royaltiesid=LOUJID0015119X
  • Elsaesser, T. (2008). The future of 'art' and 'work' in the age of vision machines: Harun Farocki. In R. Halle, & R. Steingröver (Eds.), After the avant-garde: contemporary German and Austrian experimental film (pp. 31-49). (Screen cultures: German film and the visual). Camden House.
  • Elsaesser, T. (2008). Ingmar Bergman's The Serpent's Egg: reflections of reflections on retro-fashion. In M. Koskinen (Ed.), Ingmar Bergman revisited: performance, cinema and the arts (pp. 161-179). Wallflower.
  • Elsaesser, T. (2008). City of light, gardens of delight. In A. Webber, & E. Wilson (Eds.), Cities in transition: the moving image and the modern metropolis (pp. 88-101). Wallflower.
  • Elsaesser, T. (2008). Das Digitale und das Kino: Um-Schreibung der Filmgeschichte? In D. Kloock (Ed.), Zukunft Kino: the end of the reel world (pp. 42-59). Schüren.
  • Elsaesser, T. (2008). Melodrama: Genre, Gefühl oder Weltanschauung? In M. Frölich, K. Gronenborn, & K. Visarius (Eds.), Das Gefühl der Gefühle: zum Kinomelodram (pp. 11-34). (Arnoldshainer Filmgespräche; No. 25). Schüren.
  • Elsaesser, T. (2008). Ingmar Bergman in the Museum? Thresholds, Limits, Conditions of Possibility. Site, 24, 2-3. http://www.sitemagazine.net/content/01-issues/17-24_2008/24.pdf
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