James Cameron’s Avatar: access for all

Authors
Publication date 2011
Journal New Review of Film and Television Studies
Volume | Issue number 9 | 3
Pages (from-to) 247-264
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract In this extract from his forthcoming book The Persistence of Hollywood (Routledge, 2012), Thomas Elsaesser examines James Cameron's film Avatar in terms of its auto-representation and personalized narrative, affective engagement with diverse publics and ambition to effect through technology a change of paradigm.
Document type Article
Language English
Published at https://doi.org/10.1080/17400309.2011.585854
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