Avant-garde culture and media strategies: the networks and discourses of the European film avant-garde, 1919-39

Authors	M. Hagener
Supervisors	T. Elsaesser
Award date	21-06-2005
Number of pages	355
Publisher	Berlijn: in eigen beheer
Organisations	Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Document type	PhD thesis
Note	Research conducted at: Universiteit van Amsterdam
Language	English
Downloads	Thesis Cover Titlepage Table of Contents Introduction: Avant-garde Culture and Technological Transformations Chapter 1 Reframing the Historical Avant-garde – Media, Historiography and Method Chapter 2 The Network of Art in the Age of Mechanical Reproducibility - Film Avant-garde and Industry Around 1930 Chapter 3 Strategic Convergence and Functional Differentiation - The Film Societies and Ciné-Clubs of the 1920s and 30s Chapter 4 Mapping a Totality of Networks, Nodes, and Flows The Discourses of Publishing, Theory, Teaching, and Exhibitions Chapter 5 Vanishing Point Soviet Union - Soviet Cinema and the West between Innovation and Repression Chapter 6 Across the Oceans The Intersection of Documentary and Avant-garde Epilogue: Bridging the Gaps, Connecting the Dots Bibliography Filmography Nederlandse Samenvatting Acknowledgements Cover
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