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Results: 8
Number of items: 8
  • Open Access
    Berbers, S. V. J., Pause, R., van der Werf, I. D., van den Berg, K. J., & van Bommel, M. R. (2025). Fanal® pigments in the spotlight: The characterisation of phosphorus tungsten molybdenum acid - PTMA - pigments. Dyes and Pigments, 239, Article 112714. https://doi.org/10.1016/j.dyepig.2025.112714
  • Open Access
    Pause, R. (2024). Tracing synthetic organic pigments in Talens paints and modern artworks (1908-1955). [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Berbers, S. V. J., Proaño Gaibor, A. N., Ligterink, F., Neevel, J. G., Reissland, B., & van der Werf, I. D. (2024). Shades of violet: Study of the compositional variability of historical Methyl violet dyes. Journal of Cultural Heritage, 66, 464-475. https://doi.org/10.1016/j.culher.2023.12.017
  • Open Access
    Van Eikema Hommes, M., Van Der Werf, I., Bakker, P., & Kirsch, K. (2023). Cornelis Tromp’s trophies: The origins of a late portrait (1675-1676) by Ferdinand Bol. Oud Holland, 136(1), 17-48. https://doi.org/10.1163/18750176-13601002
  • Open Access
    Sundberg, B. N., Pause, R., van der Werf, I. D., Astefanei, A., van den Berg, K. J., & van Bommel, M. R. (2021). Analytical approaches for the characterization of early synthetic organic pigments for artists’ paints. Microchemical Journal, 170, Article 106708. https://doi.org/10.1016/j.microc.2021.106708
  • van den Berg, K. J., Hendriks, E., Geldof, M., de Groot, S., van der Werf, I., Miliani, C., Moretti, P., Cartechini, L., Monico, L., Iwanicka, M., Targowski, P., Sylwestrzak, M., & Genuit, W. (2019). Structural and Chemical Composition of the Surface Layers in the Amsterdam Sunflowers. In E. Hendriks, & M. Vellekoop (Eds.), Van Gogh's Sunflowers Illuminated: Art meets Science (pp. 159-173). (Van Gogh Museum Studies; Vol. 1). Amsterdam University Press.
  • Open Access
    Modugno, F., Di Gianvincenzo, F., Degano, I., van der Werf, I. D., Bonaduce, I., & van den Berg, K. J. (2019). On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints. Scientific Reports, 9, Article 5533. https://doi.org/10.1038/s41598-019-41893-9
  • van den Berg, K. J., Keune, K., de Groot, S., van Keulen, H., van der Werf, I. D., & Burnstock, A. (2014). Binding media in Tudor and Jacobean portrait paintings – Distinguishing between original paint and conservation additions. In J. Bridgland (Ed.), ICOM-CC 17th Triennial Conference: Building strong culture through conservation, 15-19 September 2014, Melbourne, Australia Article 1315 International Council of Museums.
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