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Results: 7
Number of items: 7
  • Open Access
    Saccone, K. (2026). Showing early and silent films today: Curatorial challenges, considerations, and possibilities. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Alliata, G., Saccone, K., Yang, Y., Serafin, L., Mannane, S., & Kenderdine, S. (2024). The BiographScope: Exploring Early Cinema in an Immersive Environment. ACM journal on computing and cultural heritage : JOCCH, 17(4), Article 70. https://doi.org/10.1145/3672084
  • Open Access
    Saccone, K. (2024). "Wrath, Witches, and Wondrous Women": A Curated Program of Lost Films. Feminist Media Histories, 10(2-3), 145-158. https://doi.org/10.1525/fmh.2024.10.2-3.145
  • Open Access
    Saccone, K. (2023). Doing "Applied Film History": An Interview with Silent Film Curator Elif Rongen-Kaynakçi. Feminist Media Histories, 9(2), 101-130. https://doi.org/10.1525/fmh.2023.9.2.101
  • Saccone, K. (2021). ‘‘Just a Little Warm-Up for the Job’’: Harold Nicholas, the Specialty Act, and the Hollywood Song-and-Dance Man. In J. Lobalzo Wright, & M. Shearer (Eds.), Musicals at the Margins: Genre, Boundaries, Canons (pp. 129-143). Bloomsbury Academic. https://doi.org/10.5040/9781501357084.0017
  • Saccone, K. (2021). Research Update: Alice Guy Blaché at Columbia University. In J. Gaines, R. Vatsal, & M. Dall’Asta (Eds.), Women Film Pioneers Project Columbia University Libraries. https://doi.org/10.7916/d8-hwn3-2928
  • Saccone, K. (2020). Le Giornate del Cinema Muto, Thirty-Ninth "Limited Edition": October 3–10, 2020, Online. The moving image, 20(1-2), 334-342. https://www.jstor.org/stable/10.5749/movingimage.20.1-2.0335
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