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Results: 10
Number of items: 10
  • Open Access
    Patin, G. (2024). Improved microfading device for risk assessment of colour change in Van Gogh’s works. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Marrocchesi, A., & Erdmann, R. G. (2024). Empowering cultural heritage photography: A low-cost, automated, open-source approach. In I. Saloul, S. Berrebi, N. Munawar, & M. Panico (Eds.), AHM Conference 2024: 'Heritage, Memory and Material Culture' (pp. 89-95). (History, Culture, and Heritage; Vol. 3). Amsterdam University Press. https://doi.org/10.5117/9789048567638/AHM.2024.016
  • Open Access
    Marrocchesi, A., Erdmann, R., & van den Bercken, B. (2023). Een portret vastgelegd in 3024 beelden: Face to Face-project brengt mummieportretten tot leven. Allard Pierson magazine, 128, 29-31.
  • Open Access
    Marrocchesi, A., & Erdmann, R. G. (2023). A Lens Characterization Method for Low-budget High-quality Museum Photography. Archiving, 20, 121-125. Article 26. https://doi.org/10.2352/issn.2168-3204.2023.20.1.26
  • Open Access
    Patin, G., Erdmann, R. G., Ligterink, F., Neevel, J. G., van den Berg, K. J., & Hendriks, E. (2022). An enhanced optical micro-fading device. Journal of Cultural Heritage, 57, 276-285. https://doi.org/10.1016/j.culher.2022.08.012
  • Open Access
    Gabrieli, F., Delaney, J. K., Erdmann, R. G., Gonzalez, V., van Loon, A., Smulders, P., Berkeveld, R., van Langh, R., & Keune, K. (2021). Reflectance Imaging Spectroscopy (RIS) for Operation Night Watch: Challenges and Achievements of Imaging Rembrandt's Masterpiece in the Glass Chamber at the Rijksmuseum. Sensors, 21(20), Article 6855. https://doi.org/10.3390/s21206855
  • Open Access
    Gambardella, A. A., Cotte, M., de Nolf, W., Schnetz, K., Erdmann, R., van Elsas, R., Gonzalez, V., Wallert, A., Iedema, P. D., Eveno, M., & Keune, K. (2020). Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints. Science Advances, 6(18), Article eaay8782. https://doi.org/10.1126/sciadv.aay8782
  • Cotte, M., De Nolf, W., Gambardella, A., Gonzalez, V., Keune, K., Schnetz, K., Erdmann, R., van Elsas, R., Gonzalez, V., Wallert, A., & Eveno, M. (2019). Sulfur K-edge Micro- and Full-field XANES Identifies Marker for Preparation Method of Ultramarine Pigment from Lapis Lazuli in Historical Paints [Data set]. European Synchrotron Radiation Facility. https://doi.org/10.15151/esrf-dc-186933507
  • Noble, P., van Duijn, E., Hermens, E., Keune, K., van Loon, A., Smelt, S., Tauber, G., & Erdmann, R. (2018). An Exceptional Commission: Conservation History, Treatment and Painting Technique of Rembrandt’s Marten and Oopjen, 1634. The Rijksmuseum Bulletin, 66(4), 308-345. https://www.jstor.org/stable/26543421
  • Open Access
    Johnson, C. R., Johnson, D. H., Verslype, I., Lugtigheid, R., & Erdmann, R. G. (2013). Detecting weft snakes. Art Matters, 5, 48-52.
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