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Results: 3
Number of items: 3
  • Open Access
    Vandivere, A., Pottasch, C., & Kneepkens, I. (2022). Reconstructing Rogier: Practical Insights into the Original Appearance of the Lamentation Attributed to Rogier van der Weyden, Based on Student Reconstructions. Materia: Journal of Technical Art History, 2. https://issue-2.materiajournal.com/vandivere/
  • Open Access
    Kneepkens, I. (2022). Surprise findings and infinite doubt: dealing with subjectivity in art technological reconstructions. In D. Oltrogge, J. H. Townsend, A. Haack-Christensen, & M. Stols-Witlox (Eds.), Reflecting on Reconstructions : The Role of Sources and Performative Methods in Art Technological Studies: Proceedings of the eighth symposium of the ICOM-CC working group on Art Technological Source Research, held at the Cologne Institute of Conservation Sciences, University of Applied Sciences, Cologne, 26-27 September 2019 (pp. 9-16). ICOM-CC. https://www.icom-cc-publications-online.org/4603/Surprise-findings-and-infinite-doubt--dealing-with-subjectivity-in-art-technological-reconstructions-
  • Open Access
    Kneepkens, I. (2021). Masterful mixtures: Practical aspects of fifteenth- and early sixteenth-century oil paint formulation. [Thesis, fully internal, Universiteit van Amsterdam].
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