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Results: 4
Number of items: 4
  • Open Access
    Tao, N., Anisimov, A. G., van Duijn, E., Vos, L., Steeman, I., Keune, K., Noble, P., & Groves, R. M. (2023). Application of shearography with thermal loading for structural inspection of Rembrandt’s Night Watch. In H. Liang, & R. Groves (Eds.), Optics for Arts, Architecture, and Archaeology (O3A) IX Article 126200A (Proceedings of SPIE - The International Society for Optical Engineering; Vol. 12620). SPIE. https://doi.org/10.1117/12.2673263
  • Open Access
    van Duijn, E. E. (2013). All that glitters is not gold: The depiction of gold-brocaded velvets in fifteenth- and early sixteenth-century Netherlandish paintings. [Thesis, fully internal, Universiteit van Amsterdam].
  • van Duijn, E., Filedt Kok, J. P., Vandivere, A., Wallert, A., & Wolters, M. (2011). Developments in the underdrawing and painting technique of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden. In M. Spring (Ed.), Studying old master paintings: technology and practice: the National Gallery technical bulletin 30th anniversary conference postprints (pp. 104-110). Archetype.
  • Filedt Kok, J. P., van Duijn, E., Vandivere, A., Wallert, A., & Wolters, M. (2011). De Leidse schilders aan het werk. In C. Vogelaar, J. P. Filedt Kok, H. Leeflang, & I. M. Veldman (Eds.), Lucas van Leyden en de Renaissance (pp. 78-101). Museum De Lakenhal [etc.].
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