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Results: 5
Number of items: 5
  • Open Access
    Kharchenkova, S., & Velthuis, O. (2018). How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market. Socio-Economic Review, 16(3), 459–477. https://doi.org/10.1093/ser/mwx057
  • Open Access
    Kharchenkova, S. S. (2017). White cubes in China: A sociological study of China's emerging market for contemporary art. [Thesis, fully internal, Universiteit van Amsterdam].
  • Kharchenkova, S., & Velthuis, O. (2015). An evaluative biography of cynical realism and political pop. In A. Berthoin Antal, M. Hutter, & D. Stark (Eds.), Moments of valuation: exploring sites of dissonance (pp. 108-130). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198702504.003.0006
  • Open Access
    Kharchenkova, S., Komarova, N., & Velthuis, O. (2015). Official art organizations in the emerging art markets of China and Russia. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 78-101). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198717744.003.0004
  • Open Access
    Velthuis, O., & Kharchenkova, S. (2014). Kleine of Grote Hans? Over Dai Hanzhi: 5000 artists in Witte de With, Rotterdam. De Witte Raaf, 29(172), 13. http://www.dewitteraaf.be/artikel/detail/nl/4051
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