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Results: 15
Number of items: 15
  • Open Access
    Özgen, A. (2025). Toward a Decolonial Classroom: Resituating Cultural Analysis as Pedagogical Intervention. In M. Aydemir, A. Kuryel, & N. Roei (Eds.), The Future of Cultural Analysis: A Critical Inquiry (pp. 205-219). Amsterdam University Press. https://doi.org/10.1515/9789048559800-014, https://doi.org/10.2307/jj.22361586.16
  • Open Access
    Özgen, A. (2025). The Relational Mode: Farideh Fardjam’s Documentary Strategies of Migration and Intersectional Archival Activism. TMG – Journal for Media History, 28(2). https://doi.org/10.18146/tmg.920
  • Open Access
    Olesen, C., & Özgen-Havekotte, A. (2024). AHM and ASCA research initiative on “critical audiovisual heritage” (2024-28). In I. Saloul, S. Berrebi, N. Munawar, & M. Panico (Eds.), AHM Conference 2024: 'Heritage, Memory and Material Culture' (pp. 81-83). (History, Culture, and Heritage; Vol. 3). Amsterdam University Press. https://doi.org/10.5117/9789048567638/AHM.2024.013
  • Open Access
    Özgen, A. (2024). Screen memories: Activating the audiovisual heritage of Turkish migrant women’s movement in the Netherlands. TMG – Journal for Media History, 27(1). https://doi.org/10.18146/tmg.871
  • Open Access
    Özgen, A. (2023). Unsettling borders of archives: Activating the audiovisual heritage of the Turkish community in the Netherlands. VIEW , 12(24), 54-69. https://doi.org/10.18146/view.308
  • Özgen, A. (2022). The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films. (Film Culture in Transition). Amsterdam University Press. https://doi.org/10.5117/9789463724753, https://doi.org/10.2307/j.ctv3142vf0, https://doi.org/10.1515/9789048553655
  • Özgen, A. (2022). Ruins, Ruination, and Counter-Memory in Kurdish Women’s Art. Feminist Media Histories, 8(1), 16-45. https://doi.org/10.1525/fmh.2022.8.1.16
  • Open Access
    Ozgen-Tuncer, A. (2022). Itineraries of walking and footwear on film: [Review of: T.D. Tucker (2020) The Peripatetic Frame: Images of Walking in Film; E. Ezra, C. Wheatley (2020) Shoe Reels: The History and Philosophy of Footwear in Film]. NECSUS, 11(1), 360-367. https://doi.org/10.25969/mediarep/18832.
  • Ozgen-Tuncer, A. (2021). Walking in Women’s Shoes: Precarity and Feminist Pedestrian Acts in Cinema. Feminist Media Histories, 7(3), 135-153. https://doi.org/10.1525/fmh.2021.7.3.135
  • Özgen-Havekotte, A., & Rongen-Kaynakçı, E. (2021). The Transnational Archive as a Site of Disruption, Discrepancy, and Decomposition: The Complexities of Ottoman Film Heritage. The moving image, 21(1-2), 77-99. https://muse.jhu.edu/article/834004
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