Search results
Results: 9
Number of items: 9
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van Ede, Y. (2024). Dancing Clay: On Kinaesthetic Experience and Tactile Materialization. In L. E. Dankworth, H. Rottenberg, & D. Williams (Eds.), Dance, Performance and Visual Art : Intersections with Material Culture (pp. 127-146). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-69084-6_7 -
van Ede, Y. (2017). Stomping on the Ground: Dancing Flamenco through Tokyo’s Soundscape. Yearbook for Traditional Music, 49, 48-66. https://doi.org/10.5921/yeartradmusi.49.2017.0048
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van Ede, Y. (2012). Sounding moves: flamenco, gender, and meaning in Tokyo. In E. I. Dunin, D. Stavělová, & D. Gremlicová (Eds.), Dance, gender and meanings: contemporizing traditional dance: proceedings of the 26th Symposium of the ICTM Study Group on Ethnochoreology 2010: Třešť, Czech Republic (pp. 73-81). Academy of Performing Arts and the Institute of Ethnology of the Academy of Sciences.
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van Ede, Y. (2010). Differing roads to grace: Spanish and Japanese sensory approaches to dance. In A. Chaniotis, S. Leopold, H. Schulze, E. Venbrux, T. Quartier, J. Wojtkowiak, J. Weinhold, & G. Samuel (Eds.), Ritual dynamics and the science of ritual. - Vol. 2: Body, performance, agency and experience (pp. 481-504). Harrassowitz.
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van Ede, Y. (2009). Sensuous anthropology: sense and sensibility and the rehabilitation of skill. Anthropological Notebooks, 15(2), 61-75. http://www.drustvo-antropologov.si/AN/PDF/2009_2/Anthropological_Notebooks_XV_2_Van_Ede.pdf
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