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Results: 7
Number of items: 7
  • Open Access
    Steetskamp, J. K. (2012). Lessings Gespenster: Die Zeiträume der Bewegtbildinstallation. [Thesis, fully internal, Universiteit van Amsterdam].
  • Steetskamp, J. (2010). Van ruis tot leegte: over de (on-)mogelijkheid van stilte in de moderne en hedendaagse kunst. In C. Verschelden (Ed.), Disturbed silence - Stilte gestoord (pp. 14-22). Psychiatrisch Centrum Duffel.
  • Steetskamp, J. (2009). Moving images and visual art: revisiting the space criterion. Cinéma & Cie, 9(12), 65-70. https://doi.org/10.7372/71085
  • Steetskamp, J. (2009). [Review of: T. Murray (2008) Digital Baroque: new media art and cinematic folds]. Zeitschrift für Medienwissenschaft, 2009(1). https://zfmedienwissenschaft.de/heft/archiv/01-12009-motive
  • Steetskamp, J. (2008). Found footage, performance, reenactment: a case for repetition. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 333-344). Amsterdam University Press.
  • Steetskamp, J. (2007). Van ruis tot leegte: over de (on-)mogelijkheid van stilte in de moderne en hedendaagse kunst. In H. J. A. Hofland (Ed.), De grote stilte: overdenkingen in filosofie, kunst en spiritualiteit (pp. 63-72). Damon.
  • Open Access
    Steetskamp, J. (2007). Looking back: the roots of video production at the Jan van Eyck Academie. In Jan van Eyck Video Weekend [online] (pp. [1-7]). Jan van Eyck Academie. http://www.janvaneyck.nl/0_4_6_text_files/Video_Jennifer_Steetskamp.html
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