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  • Shanken, E. (2008). Der Videospiegel und sein genetisches Double: Richard Kriesches 'Zwillinge' und dessen Spiegelung durch Walter Benjamins 'Das Kunstwerk im Zeitalter seiner technischer Reproduzierbarheit' = The video mirror and its genetic double: Richard Kriesche's 'Zwillinge' (Twins) as reflected through Walter Benjamin's 'Work of art in the age of mechanical reproduction'. In P. Pakesch (Ed.), Richard Kriesche, capital + code: anlässlich der Ausstellung Richard Kriesche, Capital + Code, Kunsthaus Graz am Landesmuseum Joanneum, 15.11.2008 - 22.02.2009 (pp. 16-23). König.
  • Anker, S., Lindee, S., Shanken, E. A., & Nelkin, D. (2008). Technogenesis: aesthetic dimensions of art and biotechnology. In B. A. Lustig, B. A. Brody, & G. P. McKenny (Eds.), Altering nature. - Vol. I: Concepts of 'nature' and 'the natural' in biotechnology debates (pp. 275-321). (Philosophy and medicine; No. 97). Springer. https://doi.org/10.1007/978-1-4020-6921-5_6
  • Shanken, E. A. (2008). The imploding cube meets the beating heart: the Gestalt of Andres Ramirez Gaviria's "O." and "resonance". In C. Habres (Ed.), Andres Ramirez Gaviria (pp. 82-85). Metro-Verlag.
  • Shanken, E. A. (2008). Entwined histories: reflections on teaching art, science and technological media. In M. Alexenberg (Ed.), Educating artists for the future: learning at the intersections of art, science, technology, and culture (pp. 245-252). Intellect.
  • Shanken, E. A. (2008). Der implodierende Kubus trifft auf den Herzschlag: die Gestalt von Andres Ramirez Gavirias Arbeiten "O." und "resonance". In C. Habres (Ed.), Andres Ramirez Gaviria (pp. 86-90). Metro-Verlag.
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