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Results: 6
Number of items: 6
  • Open Access
    Kneepkens, I. (2021). Masterful mixtures: Practical aspects of fifteenth- and early sixteenth-century oil paint formulation. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Gambardella, A. A., Cotte, M., de Nolf, W., Schnetz, K., Erdmann, R., van Elsas, R., Gonzalez, V., Wallert, A., Iedema, P. D., Eveno, M., & Keune, K. (2020). Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints. Science Advances, 6(18), Article eaay8782. https://doi.org/10.1126/sciadv.aay8782
  • Open Access
    Schnetz, K., Gambardella, A. A., van Elsas, R., Rosier, J., Steenwinkel, E. E., Wallert, A., Iedema, P. D., & Keune, K. (2020). Evidence for the catalytic properties of ultramarine pigment. Journal of Cultural Heritage, 45, 25-32. https://doi.org/10.1016/j.culher.2020.04.002
  • Cotte, M., De Nolf, W., Gambardella, A., Gonzalez, V., Keune, K., Schnetz, K., Erdmann, R., van Elsas, R., Gonzalez, V., Wallert, A., & Eveno, M. (2019). Sulfur K-edge Micro- and Full-field XANES Identifies Marker for Preparation Method of Ultramarine Pigment from Lapis Lazuli in Historical Paints [Data set]. European Synchrotron Radiation Facility. https://doi.org/10.15151/esrf-dc-186933507
  • Open Access
    van Egmond, A.-M., & Wallert, A. (2016). Two painters, two centuries, one mural: Technical research on the layered crucifixion mural in the Utrecht burial chapel of Guy of Avesnes. In A. Wallert (Ed.), Painting Techniques: History, materials and studio practice : 5th international symposium (pp. 17-21). Rijksmuseum.
  • Wallert, A., Keune, K., van Iperen, J., & Pedroso, J. (2012). Early Northern Netherlandish Paintings and Gilding Techniques and Cologne: some Parallels. Zeitschrift für Kunsttechnologie und Konservierung, 26(1), 230-240.
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