Search results
Results: 49
Number of items: 49
-
Dekker, A. (2026). World[build]ing Online Exhibitions, Or Trying to Resist Zombie Curating. In M. Partowi, A. Urban, & M. van der Veen (Eds.), Virtual Reality Exhibited: Interfacing Art, Games and Everyday Life (pp. 151-181). (Virtual Lifeworlds). Transcript Verlag. https://doi.org/10.14361/9783839407554 -
Dekker, A. (2025). How Technology Cares. Journal of the Institute of Conservation, 48(3), 234-243. https://doi.org/10.1080/19455224.2025.2547341 -
Dekker, A. (2025). Re-figuring Digitisation: Experiments in Heritage for a Shared Future. In D. Thwaites, B. Turner, & T. Ireland (Eds.), Alternative Economies of Heritage: Sustainable, Anti-Colonial and Creative Approaches to Cultural Inheritance (pp. 124-136). (Routledge Studies in Heritage). Routledge. https://doi.org/10.4324/9781003290810-13 -
Dekker, A. (2024). Liquid Spaces: Politics of the Screen, an interview with Doreen A. Ríos. NECSUS, 13(1), 340-348. https://doi.org/10.25969/mediarep/22822 -
Dekker, A. (2024). From Digital (Art) Curation to Networked Co-Curating. Mimesis Journal, 13(2), 29-41. https://doi.org/10.13135/2389-6086/9993 -
Dekker, A., & Giannachi, G. (2024). Doing Documentation. MAP : Media, Archive, Performance, 14(1), 1-4. https://doi.org/10.25969/mediarep/23001 -
Dekker, A., Sluis, K., & Tedone, G. (2024). Tracing the cultural value of photographic documentation in, and beyond, the museum. MAP : Media, Archive, Performance, 14(1), 1-12. https://doi.org/10.25969/mediarep/23005 -
Dekker, A., & Giannachi, G. (Eds.) (2023). Documentation as Art: Expanded Digital Practices. Routledge. https://doi.org/10.4324/9781003130963
-
Dekker, A., & Giannachi, G. (2023). Introduction: The Contexts of Documentation. In A. Dekker, & G. Giannachi (Eds.), Documentation as Art: Expanded Digital Practices (pp. 3-15). Routledge. https://doi.org/10.4324/9781003130963-2
Page 1 of 5