Plenckers, L. J. (2001). Het probleem van de juiste tekstdrager in de muziek van de Maghreb. Rapports. Het Franse Boek, 71(1), 14-25.
Plenckers, L. J. (2000). Drie Schenkeranalyses van Bachs Inventio 8. Dutch Journal of Music Theory, 5(1), 16-25.
Plenckers, L. J. (1999). Review of Djanali Akberov. Mugam d'Azerbaijan Vol.7 and Gandab Gulieva. Mugam d'Azerbaijan Vol.8 [Review of: P. Bois (1999) Djanali Akberov. Mugam d'Azerbaijan Vol.7 (CD); Gandab Gulieva. Mugam d'Azerbaijan Vol.8]. Yearbook for Traditional Music, 31, 205-206.
Kramer, C., & Plenckers, L. J. (1998). The structure of the saeta flamenca. An analytical study of its music. Yearbook for Traditional Music, 30, 103-132.
Plenckers, L. J. (1996). Report Study Group: Music of the Arab World- 2nd meeting. International Council for Traditional Music, 25-26.
Plenckers, L. J. (1995). Music in the world of Islam. A socio-cultural study [Review of: A. Shiloah (1995) -]. Sharqiyyat, 7(2).
Plenckers, L. J. (1995). Structure du repertoire algerien: contribution a l'analyse du "changement musical". In Le chant anabo-andalou. Essai sur le Rurbain ou la topique de la Norme et de la Marge dans le patrimoine musical arabe (pp. 59-79). Editions l'Harmattan.
Plenckers, L. J. (1994). Onder de Groene Linde, verhalende liederen uit de mondelinge overlevering verzameld door Ate Doornbosch [Review of: M.M.G. van Dijk (1994) Onder de Groene Linde]. In M. M. G. van Dijk, & A. J. Dekker (Eds.), Unknown
Plenckers, L. J. (1993). The Cantigas de Santa Maria and the Moorish Muwashshah; another way of comparing their musical structures. Revista de Musicología, 16(1), 354-357.
Plenckers, L. J. (1993). Changes in the Algerian san'a tradition and the rol of the musicologist in process. Revista de Musicología, 3, 29-34.