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Results: 9
Number of items: 9
  • Open Access
    van Driel, B. A., van den Berg, K. J., Gerretzen, J., & Dik, J. (2018). The white of the 20th century: an explorative survey into Dutch modern art collections. Heritage Science, 6, Article 16. https://doi.org/10.1186/s40494-018-0183-4
  • Open Access
    van Driel, B. A., van den Berg, K. J., Smout, M., Dekker, N., Kooyman, P. J., & Dik, J. (2018). Investigating the effect of artists’ paint formulation on degradation rates of TiO2-based oil paints. Heritage Science, 6, Article 21. https://doi.org/10.1186/s40494-018-0185-2
  • Open Access
    van Driel, B. A., Kooyman, P. J., van den Berg, K. J., Schmidt-Ott, A., & Dik, J. (2016). A quick assessment of the photocatalytic activity of TiO2 pigments - From lab to conservation studio! Microchemical Journal, 126, 162-171. https://doi.org/10.1016/j.microc.2015.11.048
  • Open Access
    Noble, P., van Loon, A., van der Snickt, G., Janssens, K., Alfeld, M., & Dik, J. (2014). Development of new imaging techniques for the study and interpretation of late Rembrandt paintings. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1310). International Council of Museums. https://www.researchgate.net/publication/317952363_Development_of_new_imaging_techniques_for_the_study_and_interpretation_of_late_Rembrandt_paintings
  • Noble, P., van Loon, A., Alfeld, M., Janssens, K., & Dik, J. (2012). Rembrandt and/ or studio, Saul and David, c.1655: revealing the curtain using cross-section analyses and X-ray fluorescence imaging. Techné, 35, 36-45.
  • Dik, J., Hermens, E., Peschar, R., & Schenk, H. (2005). Early production recipes for lead antimonate yellow in Italian art. Archaeometry, 47(3), 593-607. https://doi.org/10.1111/j.1475-4754.2005.00221.x
  • Open Access
    Dik, J. (2003). Scientific analysis of historical paint and the implications for art history and art conservation. The case studies of naples yellow and discoloured smalt. [Thesis, fully internal, Universiteit van Amsterdam].
  • Dik, J., den Leeuw, M., Verbakel, W., & Peschar, R. (2002). The digital reconstruction of a smalt discoloured paintingby Hendrick Ter Brugghen. Zeitschrift für Kunsttechnologie und Konservierung, 16(1), 130-146.
  • Dik, J., Tichelaar, F. D., Goubitz, K., Peschar, R., & Schenk, H. (2002). 19th century Naples Yellow re-examined. Zeitschrift für Kunsttechnologie und Konservierung, 16(2), 291-306.
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