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Results: 114
Number of items: 114
  • Open Access
    Elbertsen, F., & Stigter, S. (2018). Franz West, Clamp as case study for DIAL. Web publication or website, Kröller Müller . https://krollermuller.nl/media/nieuws_en_blog/dial_franz_west_clamp_eng.pdf
  • Open Access
    Stigter, S. (2018). Tom Claassen, Untitled (Cars) as case study for DIAL. Web publication or website, Kröller Müller . https://krollermuller.nl/media/nieuws_en_blog/dial_tom_claassen_untitled__cars__eng.pdf
  • Open Access
    Stigter, S. (2018). Pierre Huyghe, La Saison des Fêtes as case study for DIAL. Web publication or website, Kröller Müller . https://krollermuller.nl/media/nieuws_en_blog/dial_pierre_huyghe_la_saison_des_fe__tes_eng.pdf
  • Open Access
    Stigter, S. (2018). Aan de knoppen van een kunstwerk: Hoe restaureer je een tuin van Pierre Huyghe? kM : vakinformatie voor beeldende kunstenaars en restauratoren, 105, 10-11.
  • Open Access
    Stigter, S. (2017). Retoucheren met gekleurd licht: Van restauratietechniek naar onderzoeksinstrument. kM : vakinformatie voor beeldende kunstenaars en restauratoren, 103, 20–21.
  • Open Access
    Stigter, S. (2017). A behaviour index for complex artworks: A conceptual tool for contemporary art conservation. In J. Bridgland (Ed.), ICOM-CC : 18th triennial conference, Copenhagen, 4-8 September 2017: linking past and future : preprints Article 0910 International Council of Museums. https://www.icom-cc-publications-online.org/1744/A-behaviour-index-for-complex-artworks--A-conceptual-tool-for-contemporary-art-conservation
  • Stigter, S. (2016). [Review of: H. Hiiop (2012) Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia]. Beiträge zur Erhaltung von Kunst- und Kulturgut, 2016(2), 123–124.
  • Stigter, S., & de Forest, B. (2016). Bethany de Forest. Funky Landscapes. (Limited Art Books). KochxBos Publishers.
  • Open Access
    Stigter, S. (2016). Through the conservator's lens: from analogue photowork to digital printout: How is authenticity served? In E. Hermens, & F. Robertson (Eds.), Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation: proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 (pp. 169-178). Archetype Publications.
  • Open Access
    Stigter, S. (2016). Between concept and material. Working with conceptual art: a conservator’s testimony. [Thesis, fully internal, Universiteit van Amsterdam].
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