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Results: 81
Number of items: 81
  • Open Access
    Keune, K., Mass, J., Meirer, F., Pottasch, C., van Loon, A., Hull, A., Church, J., Pouyet, E., Cotte, M., & Mehta, A. (2015). Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses. Journal of Analytical Atomic Spectrometry, 30(3), 813-827. https://doi.org/10.1039/c4ja00424h
  • Open Access
    Hermans, J. J., Keune, K., van Loon, A., & Iedema, P. D. (2015). An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings. Journal of Analytical Atomic Spectrometry, 30(7), 1600-1608. https://doi.org/10.1039/c5ja00120j
  • van den Berg, K. J., Keune, K., de Groot, S., van Keulen, H., van der Werf, I. D., & Burnstock, A. (2014). Binding media in Tudor and Jacobean portrait paintings – Distinguishing between original paint and conservation additions. In J. Bridgland (Ed.), ICOM-CC 17th Triennial Conference: Building strong culture through conservation, 15-19 September 2014, Melbourne, Australia Article 1315 International Council of Museums.
  • Keune, K., & Boevé-Jones, G. (2014). Its surreal: zinc-oxide degradation and misperceptions in Salvador Dalí’s Couple with Clouds in their Heads, 1936. In A. Burnstock, M. de Keijzer, J. Krueger, T. Learner, A. de Tagle, & G. Heydenreich (Eds.), Issues in contemporary oil paint (pp. 283-294). Springer. https://doi.org/10.1007/978-3-319-10100-2_19
  • Sawicka, A., Burnstock, A., Izzo, F. C., Keune, K., Boon, J. J., Kirsch, K., & van den Berg, K. J. (2014). An Investigation into the Viability of Removal of Lead Soap Efflorescence from Contemporary Oil Paintings. In K. J. van den Berg, A. Burnstock, M. de Keijzer, J. Krueger, T. Learner, A. de Tagle, & G. Heydenreich (Eds.), Issues in contemporary oil paint (pp. 311-332). Springer. https://doi.org/10.1007/978-3-319-10100-2_21
  • Iedema, P. D., Hermans, J. J., Keune, K., van Loon, A., & Stols-Witlox, M. J. N. (2014). Mathematical modeling of mature oil paint networks. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1604). International Council of Museums.
  • Hermans, J. J., Keune, K., van Loon, A., Corkery, R. W., & Iedema, P. D. (2014). The molecular structure of three types of long-chain zinc(II) alkanoates for the study of oil paint degradation. Polyhedron, 81, 335-340. https://doi.org/10.1016/j.poly.2014.06.030
  • Open Access
    Hermans, J. J., Keune, K., van Loon, A., Stols-Witlox, M. J. N., Corkery, R. W., & Iedema, P. D. (2014). The synthesis of new types of lead and zinc soaps: a source of information for the study of oil paint degradation. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1603). International Council of Museums. http://www.icom-cc2014.org/docs/content/Melbourne_Table_of_Contents.pdf
  • Keune, K., Boon, J. J., Boitelle, R., & Shimadzu, Y. (2013). Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of the Descente des vaches (1834-1835) painted by Theodore Rousseau. Studies in Conservation, 58(3), 199-210. https://doi.org/10.1179/2047058412Y.0000000063
  • Wallert, A., Keune, K., van Iperen, J., & Pedroso, J. (2012). Early Northern Netherlandish Paintings and Gilding Techniques and Cologne: some Parallels. Zeitschrift für Kunsttechnologie und Konservierung, 26(1), 230-240.
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