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Results: 79
Number of items: 79
  • Bala, S. (2010). [Review of: B. McDonnell (2008) Theatres of the troubles: theatre, resistance and liberation in Ireland; P. Lonergan (2009) Theatre and globalization: Irish drama in the Celtic Tiger era]. Theatre Research International, 35(1), 78-79. https://doi.org/10.1017/S030788330999040X
  • Open Access
    Bala, S. (2010). [Review of: J. Thompson (2009) Performance affects: applied theatre and the end of effect]. Theatre Research International, 35(3), 301-302. https://doi.org/10.1017/S0307883310000349
  • Bala, S. (2009). The performativitiy of nonviolent protest in South Asia (1918-1948). Universitätsbibliothek Mainz. http://ubm.opus.hbz-nrw.de/volltexte/2009/1994/pdf/diss.pdf
  • Reich, H., & Bala, S. (2009). Theaterräume als Methode der Wissensgenerierung in der Friedensarbeit: das Unsagbare zeigen. In M. M. Baumann, H. M. Birkenbach, V. Brandes, S. Dieterich, U. Gundermann, & U. Suhr (Eds.), Friedensforschung und Friedenspraxis: Ermutigung zur Arbeit an der Utopie: Festschrift für Reiner Steinweg zum 70. Geburtstag (pp. 193-205). Brandes & Apsel.
  • Bala, S. (2009). Khuda-i Khidmatgar: Pashtun non-violent resistance force (1929-1948). In I. Ness (Ed.), The international encyclopaedia of revolution and protest: 1500 to the present (pp. 1965-1970). Wiley-Blackwell.
  • Bala, S. (2009). Von den Chancen der Intervention in Krisen. Impuls (Internationales Theaterinstitut Zentrum Bundesrepublik Deutschland), 2009(2), 23-25.
  • Bala, S. (2008). The dramaturgy of fasting in Gandhian nonviolent action. In M. Wagner, & W. D. Ernst (Eds.), Performing the matrix: mediating cultural performances (pp. 289-306). ePODIUM.
  • Open Access
    Bala, S. (2008). Mirar algo a la luz de las candilejas: consideraciones teóricas acerca de la performance. Apuntes de Teatro, 130, 140-147.
  • Bala, S. (2007). Embodying autonomy: Gandhi's fasts as a form of nonviolent protest. In F. E. Boucher, S. David, & J. Przychodzen (Eds.), La paix: esthétique d'une éthique (pp. 37-50). Peter Lang.
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