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Results: 67
Number of items: 67
  • Lerm-Hayes, C. M. (2014). Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology or Paradoxical Hope. In R. Kurzmeyer, C.-M. Lerm Hayes, F. Maes, R. Nachtigäller, & R. Rabinowitch (Eds.), Royden Rabinowitch: Ghent (pp. 21-36). AsaMER.
  • Lerm-Hayes, C. M. (2014). Conceptual Art. In C. Marshall, & P. Murray (Eds.), Art and Architecture of Ireland. -vol. 5: Twentieth Century (pp. 80-83). (Studies in British Art). Royal Irish Academy/Paul Mellon Centre/Yale University Press.
  • Lerm-Hayes, C. M. (2014). Sandra Johnston: Doubt, Gesture, Love and the Paradoxes of (Political) Art in Northern Ireland. In S. Johnston (Ed.), Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice (pp. 3-42). (European studies in culture and policy; No. 13). Lit.
  • Lerm-Hayes, C. M. (2014). Violer d'amores, 2004. In A. Rühl (Ed.), Jürgen Partenheimer: Das Archiv = The Archive (pp. 233-237). Distanz.
  • Evans, O., Lerm Hayes, C.-M., & Pyle, D. (2014). Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance. James Joyce Quarterly, 52(1), 181-191. https://doi.org/10.1353/jjq.2014.0043
  • Open Access
    Lerm-Hayes, C. M. (2014). Sticks from West Limerick Hedges. In Seanie Barron Askeaton Contemporary Arts. http://www.askeatonarts.com/documents/SeanieBarronfinalsmall.pdf
  • Lerm-Hayes, C. M. (2012). Peter Richards in Conversation with Christa-Maria Lerm Hayes. In P. Richards (Ed.), Peter Richards: An Elective Family Album (pp. 23-29). Queen's University Belfast.
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