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Results: 557
Number of items: 557
  • Bal, M. (2014). Time on Show: Heterochrony in the Work of Stan Douglas. In F. Bradley, S. Baker, & M. Bal (Eds.), Stan Douglas (pp. 68-147). Fruitmarket Gallery.
  • Bal, M. (2014). Modus vivendi oder Das unvollendete Geschäft der Geschichte. In S. Folie, & I. Lafer (Eds.), Ulrike Grossarth - Wäre ich von Stoff, ich würde mich färben = Were I made of matter, I would color: Generali Foundation (pp. 35-51). Sternberg Press.
  • Bal, M. (2014). The Beholder's Eye. In J. Bieber (Ed.), Real beauty (pp. 77-80). Pagina Verlag.
  • Bal, M. (2014). Moving Images: Two-Way. In K. Brown (Ed.), Interactive Contemporary Art: Participation in Practice (pp. 17-36). I.B. Tauris.
  • Bal, M. (2014). Masterly Maxims: reading Spivak. Publications of the Modern Language Association of America, 129(3), 491-497. https://doi.org/10.1632/pmla.2014.129.3.491
  • Bal, M. (2014). Curating: Intercultural curating. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd. ed. - Vol. 2 (pp. 238-242). Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001
  • Bal, M. (2014). Preface. In F. Davoine (Ed.), Mother Folly: a Tale (pp. xiii-xxiv). (Cultural Memory in the Present). Stanford University Press.
  • Bal, M. (2014). Mores leren. In A. Andeweg, & L. Wesseling (Eds.), Wat de verbeelding niet vermag! Essays bij het afscheid van Maaike Meijer (pp. 23-29). Vantilt.
  • Bal, M., & Bryson, N. (2014). Semiotics: Semiotics as a Theory of Art. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 5 (pp. 534-538). Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001
  • Bal, M. (2014). Narrative: Narrative and the Visual and Literary Arts. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 4 (pp. 458-461). Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001
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