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Results: 202
Number of items: 202
  • Open Access
    Kolonias, N. (2015). The mindful gamer: Diagrammatical strategies on the bio-political plane of digital gaming culture. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Pisters, P. (2015). Facing Backwards: Images from the Future. In H. Folkerts, C. Lindner, & M. Schavemakers (Eds.), Facing Forward: Art and Theory from a Future Perspective (pp. 152-155). Amsterdam University Press.
  • Open Access
    Joret, B. (2015). Today, Icarus: On the persistence of André Bazin’s myth of total cinema. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Pisters, P. (2015). Image as Gesture: Notes on Aernout Mik's Communitas and the Modern Political Film. Journal for Cultural Research, 19(1), 69-81. https://doi.org/10.1080/14797585.2014.920186
  • Open Access
    Pisters, P. (2015). Neurothriller. In O. Sanders, & R. Winter (Eds.), Bewegungsbilder nach Deleuze (pp. 181-197). (Klagenfurter Beiträge zur visuellen Kultur; No. 4). Herbert von Halem Verlag.
  • Open Access
    Yaczo, T. F. (2015). Brains with character: Reading and writing neuronarrative. [Thesis, fully internal, Universiteit van Amsterdam].
  • Pisters, P. (2014). Heart of the Matter: Bodies without Organs and Biopolitics in Organ Transplant Film. Angelaki, 19(4), 23-36. https://doi.org/10.1080/0969725X.2014.984430
  • Pisters, P. (2014). A Metaphysical Star War? Celestial Consciousness in Contemporary Cinema. In S. Neef, H. Sussman, & D. Boschung (Eds.), Astroculture: figurations of cosmology in media and arts (pp. 181-194). (Morphomata; No. 17). Wilhelm Fink.
  • Open Access
    Pisters, P. (2014). Hersenen en beeldschermen: cinema, neuro-beeld en digitale cultuur (voor)bij Deleuze. Wijsgerig Perspectief op Maatschappij en Wetenschap, 54(2), 30-37.
  • Pisters, P. (2014). Transplanting Life: Bios and Zoe in Images with Imagination. In B. Blaagaard, & I. van der Tuin (Eds.), The subject of Rosi Braidotti: politics and concepts (pp. 65-72). Bloomsbury Academic.
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