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Results: 557
Number of items: 557
  • Open Access
    Pijpers, J. M. (2016). Sonic resistance: Diaspora, marginality and censorship in Cuban and Brazilian popular music. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    van Haastrecht, J. M. P. (2016). Rebelión contra el poder. El discurso fílmico de María Luisa Bemberg. [Thesis, externally prepared, Universiteit van Amsterdam]. Uitgeverij Contreras.
  • Open Access
    Kuryel, A. (2015). Image acts and visual communities: everyday nationalism in contemporary Turkey. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Pannier, C. M. J. (2015). Kunstgeschiedenis in het secundair onderwijs: een oncomfortabele contactzone. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Souch, I. S. (2015). Tales of Russianness: Post-Soviet identity formation in popular film and television. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    van de Wiel, L. (2015). Freezing fertility: Oocyte cryopreservation and the gender politics of ageing. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Gamaker, E. D. A. (2015). The genre mask: Rhetorical style and audience activation in the investigation film. [Thesis, fully internal, Universiteit van Amsterdam].
  • Bal, M. (2014). First Memories and Second Thoughts. In J. Carruthers, M. Knight, & A. Tate (Eds.), Literature and the Bible: a reader (pp. 306-312). (Routledge literature readers). Routledge.
  • Bal, M. (2014). Time on Show: Heterochrony in the Work of Stan Douglas. In F. Bradley, S. Baker, & M. Bal (Eds.), Stan Douglas (pp. 68-147). Fruitmarket Gallery.
  • Bal, M. (2014). Modus vivendi oder Das unvollendete Geschäft der Geschichte. In S. Folie, & I. Lafer (Eds.), Ulrike Grossarth - Wäre ich von Stoff, ich würde mich färben = Were I made of matter, I would color: Generali Foundation (pp. 35-51). Sternberg Press.
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