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Results: 158
Number of items: 158
  • Open Access
    Bijsterveld, K., van Dijck, J., Jacobs, A., & Jansen, B. (2013). Sound technologies and cultural practices: how analogies make us listen to transformations in art and culture. In J. Thissen, R. Zwijnenberg, & K. Zijlmans (Eds.), Contemporary culture: new directions in arts and humanities research (pp. 139-154). (Transformations in art and culture). Amsterdam University Press. http://www.oapen.org/search?identifier=450850
  • Open Access
    Zeng, G. (2013). The making of China: The construction of Chineseness during the Beijing Olympics. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    van Dijck, J., & Poell, T. (2013). Understanding social media logic. Media and Communication, 1(1), 2-14. https://doi.org/10.17645/mac.v1i1.70
  • van Dijck, J. (2012). Zmediatyzowane wspomnienia w epoce cyfrowej. In M. Boguni-Borowska, & P. Sztompka (Eds.), Fotospołeczeństwo: antologia tekstów z socjologii wizualnej. - Wyd. 2 (pp. 488-515). Wydawnictwo Znak.
  • Open Access
    van Dijck, J. (2012). Facebook as a tool for producing sociality and connectivity. Television & New Media, 13(2), 160-176. https://doi.org/10.1177/1527476411415291
  • Open Access
    Gündüz, Z. (2012). Digital dance: (dis)entangling human and technology. [Thesis, fully internal, Universiteit van Amsterdam]. Rozenberg Publishers.
  • van Dijck, J. (2011). 'You' as in 'YouTube': defining user agency in social media platforms. In Z. Vukanovic, & P. Faustino (Eds.), Managing media economy, media content and technology in the age of digital convergence (pp. 291-317). Media XXI.
  • van Dijck, J. (2011). Telewizja 2.0: You Tube i narodziny nadawania domowego (homecasting). In T. Bielak, M. Filiciak, & G. Ptaszek (Eds.), Zmierzch telewizji? Przemiany medium: antologia (pp. 313-340). Wydawnictwo Naukowe Scholar. http://scholar.com.pl/upload/product_files/2143/61_zmierzch%20telewizji_.pdf
  • Nieborg, D. B. (2011). Triple-A: the political economy of the blockbuster video game. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Jansen, B. (2011). Where credit is due: cultural practices of recorded music. [Thesis, fully internal, Universiteit van Amsterdam]. Eigen Beheer.
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