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Results: 74
Number of items: 74
  • Open Access
    Weststeijn, T. (2008). The Germanic origins of art: Dutch and English antiquity according to Verstegan, Junius and Van Hoogstraten. Dutch Crossing, 32(1), 43-70.
  • Open Access
    Weststeijn, T. (2008). De Indische wortels van het Nederlandse modernisme: ideeën over oosterse spiritualiteit bepaalden de interesse in Indische kunst. De Academische Boekengids, 71, 2-8. http://www.academischeboekengids.nl/do.php?a=show_visitor_artikel&id=770
  • Open Access
    Bod, R., Maat, J., & Weststeijn, T. (2008). Program and abstracts: The Making of the Humanities: First International Conference in the History of the Humanities: The Emergence of the Humanities in Early Modern Europe: 23-25 October 2008, University of Amsterdam, Doelenzaal, Singel 425, Amsterdam. Institute for Logic, Language and Computation, University of Amsterdam. http://www.illc.uva.nl/MakingHumanities/abstracts.pdf
  • Open Access
    Weststeijn, T. (2008). "The colorful trash of the Flemish School": Netherlandish art and Russian literature. In E. de Haard, W. Honselaar, & J. Stelleman (Eds.), Literature and beyond: Festschrift for Willem G. Weststeijn on the occasion of his 65th birthday (pp. 885-906). (Pegasus-Oost-Europese Studies; No. 11-2). Pegasus.
  • Open Access
    Weststeijn, T. (2008). Portraits of China and Japan: the case of the Dutch Golden Age. In K. Yoshida, & B. Durrans (Eds.), Self and other: portraits of Asia and Europe (pp. 58-75, 274-278). Asahi Shimbun.
  • Open Access
    Weststeijn, T. (2008). Máxima, Mathilde en Johanna Schopenhauer: op zoek naar de kunst der Lage Landen’. Simulacrum, 16(2), 16-21.
  • Weststeijn, M. A. (2007). Spinoza sinicus: an Asian Paragraph in the History of the Radical Enlightenment. Journal of the History of Ideas, 68(4), 537-561. https://doi.org/10.1353/jhi.2007.0037
  • Weststeijn, M. A. (2007). [Review of: D. Jaffé, e.a.. Rubens. A Master in the Making]. Zeventiende Eeuw, 22(2), 376-377.
  • Weststeijn, M. A. (2007). [Review of: S.J. Barnes, e.a.. Van Dyck. A Complete Catalogue of the Paintings]. Zeventiende Eeuw, 22(2), 379.
  • Open Access
    Weststeijn, M. A. (2007). ''Painting's Enchanting Poison': Artistic Efficacy and the Transfer of Spirits'. In C. Göttler, & W. Neuber (Eds.), Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture (pp. 141-178). (Intersections, Yearbook for Early Modern Studies; No. IX)..
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