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Results: 113
Number of items: 113
  • Open Access
    Ferdinand, S. R. (2017). I Map Therefore I Am Modern: Cartography and global modernity in the visual arts. [Thesis, fully internal, Universiteit van Amsterdam].
  • Nieborg, D. B., & de Kloet, J. (2016). A Patchwork of Potential: A Survey of the European Game Industry. In A. Fung (Ed.), Global Game Industries and Cultural Policy (pp. 201-226). (Palgrave Global Media Policy and Business). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-40760-9_10
  • Chow, Y. F., van Wichelen, S., & de Kloet, J. (2016). Introduction: At home in Asia? Place-making, belonging and citizenship in the Asian Century. International Journal of Cultural Studies, 19(3), 243-256. https://doi.org/10.1177/1367877915573758
  • Wang, Q., & de Kloet, J. (2016). From ‘Nothing to My Name’ to ‘I Am a Singer’: Market, capital, and politics in the Chinese music industry. In M. Keane (Ed.), Handbook of Cultural and Creative Industries in China (pp. 293–310). (Handbooks of research on contemporary China). Edward Elgar. https://doi.org/10.4337/9781782549864.00032
  • de Kloet, J. (2016). Rescuing History from the City: Interruption and Urban Development in Beijing. In S. M. Jordan, & C. Lindner (Eds.), Cities Interrupted: Visual Culture and Urban Space (pp. 31-48). Bloomsbury Academic. https://doi.org/10.5040/9781474224451.ch-003
  • Chong, G. P. L., de Kloet, J., & Zeng, G. (2016). People’s Olympics? (Beijing 2008). In V. Bajc (Ed.), Surveilling and Securing the Olympics: From Tokyo 1964 to London 2012 and Beyond (pp. 319-343). (Transnational Crime, Crime Control and Security). Palgrave Macmillan. https://doi.org/10.1057/9781137290694_16
  • de Kloet, J., & Kooijman, J. (2016). Karaoke Americanism Gangnam Style: K-pop, Wonder Girls, and the Asian Unpopular. In M. Lüthe, & S. Pöhlmann (Eds.), Unpopular Culture (pp. 113-128). (Televisual culture). Amsterdam University Press. https://doi.org/10.2307/j.ctv157bjk.9
  • Open Access
    Schiller, M. M. (2016). Sound-tracking Germany: 70 years of imagining the nation from Schlager to Techno. [Thesis, fully internal, Universiteit van Amsterdam].
  • Chow, Y. F., & de Kloet, J. (2014). Flânerie and Acrophilia in the Postmetropolis: Rooftops in Hong Kong Cinema. Journal of Chinese Cinemas, 7(2), 139-155. https://doi.org/10.1386/jcc.7.2.139_1
  • Open Access
    de Kloet, J. (2014). Europe as Façade. European Journal of Cultural Studies, 17(1), 58-74. https://doi.org/10.1177/1367549413501481
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