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Results: 63
Number of items: 63
  • Open Access
    Lerm Hayes, C.-M. (2018). ‘I will re-create Finnegans Wake anyway’: Joseph Beuys reads James Joyce. Nordic Journal of English Studies, 17(1), 152-180. https://doi.org/10.35360/njes.427
  • Lerm-Hayes, C. M. (Ed.) (2017). Brian O'Doherty/Patrick Ireland: Word, Image and Institutional Critique. (Vis-à-vis). Valiz.
  • Open Access
    Benus, E., Breugelmans, T., Buta, C., Eckenhaussen, S., Kerchman, A., Lerm Hayes, C. M., Rhodes, E., de Smalen, J., & Sperling, F. (2017). Strijd ∞, a Performative Exhibition. Sztuka i Dokumentacja, 16, 133-141. https://www.ceeol.com/search/article-detail?id=579055
  • Open Access
    Lerm-Hayes, C. M. (2017). Ljubav koja prihvaća i paradoksi (političke) umjetnosti u Sjevernoj Irskoj: Sandra Johnston = Accepting Love and the Paradoxes of (Political) Art in Northern Ireland: Sandra Johnston. Zivot Umjetnosti, 100, 28-43. https://www.ipu.hr/content/zivot-umjetnosti/ZU_100-2017_028-043_Lerm-Hayes.pdf
  • Open Access
    Lerm-Hayes, C.-M. (2017). Introduction, or the Crossdresser’s Secret. In C.-M. Lerm Hayes (Ed.), Brian O’Doherty/Patrick Ireland: Word, Image and Institutional Critique (pp. 9-25). (Vis-á-vis). Valiz.
  • Open Access
    Lerm-Hayes, C.-M. (2017). Art Since 1945: Word and Image, Brian, Patrick, and Art Writing. In C.-M. Lerm Hayes (Ed.), Brian O’Doherty/Patrick Ireland: Word, Image and Institutional Critique (pp. 269-285). (Vis-à-vis). Valiz.
  • Open Access
    van Dijk, M. E. (2017). Foreign artists versus French critics: Exhibition strategies and critical reception at the Salon des Indépendants in Paris (1884-1914). [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Sholette, G. G. (2017). Delirium and Resistance: activist art and the crisis of capitalism. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Tuck, S., Long, D., O' Cuiv, R., Hanrahan, S., Lambe, T., Tubritt, G., Jordan, F., Jewesbury, D., Lerm-Hayes, C. M. K. E., Finlay, A., & Donnelly, D. (2015). Spectrality and Urbanism. In S. Tuck (Ed.), After the Agreement: Contemporary Photography in Northern Ireland (pp. 16-55). Black Dog.
  • Lerm Hayes, C. M. (2015). Inleiding. In H. Berger (Ed.), Bibliografie: Beeldende kunst en kunstnijverheid 1850-heden: 2010-2014 (pp. 5-7). Vereiniging van Nederlandse Kunsthistorici. http://www.kunsthistorici.nl/wp-content/uploads/2012/11/VNK_Bibliografie_2015.pdf
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