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Results: 66
Number of items: 66
  • Open Access
    Birdsall, C. (2015). Can We Invent a Field Called "Radio Preservation Studies"? FlowTV, 21. http://flowtv.org/2015/05/can-we-invent-a-field-called-radio-preservation-studies/
  • Open Access
    Birdsall, C. (2015). Die urbanen Soundscapes des Luftkriegs: Forschungsperspektiven aus Sound Studies, Geschichts- und Medienwissenschaft. Geschichte in Wissenschaft und Unterricht, 66(11/12), 681-702.
  • Open Access
    Birdsall, C. (2015). Resounding city films: Vertov, Ruttmann and early experiments with documentary sound aesthetics. In H. Rogers (Ed.), Music and sound in documentary film (pp. 20-40). (Routledge Music and screen media series). Routledge. http://www.routledge.com/books/details/9780415728669/
  • Open Access
    Birdsall, C., Parry, M., & Tkaczyk, V. (2015). Listening to the Mind: Tracing the Auditory History of Mental Illness in Archives and Exhibitions. The Public Historian, 37(4), 47-72. https://doi.org/10.1525/tph.2015.37.4.47
  • Birdsall, C. (2014). Long Range Acoustic Device (LRAD Corporation). Web publication or website http://designandviolence.moma.org/long-range-acoustic-device-lrad-corporation/
  • Open Access
    Birdsall, C. (2014). Sound Aesthetics and the Global Imagination in German Media Culture around 1930. In D. Morat (Ed.), Sounds of modern history: auditory cultures in 19th- and 20th-century Europe (pp. 256-277). Berghahn.
  • Open Access
    Birdsall, C. (2014). Sound. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 6 (pp. 23-27). Oxford University Press.
  • Open Access
    Birdsall, C., Missfelder, J.-F., Morat, D., & Schleif, C. (2014). Forum: The Senses. German History, 32(2), 256-273. https://doi.org/10.1093/gerhis/ghu034
  • Open Access
    Birdsall, C., & Siewert, S. (2013). Of Sound Mind: Mental Distress and Sound in Twentieth-Century Media Culture. Tijdschrift voor Mediageschiedenis, 16(1), 27-45. http://www.tmgonline.nl/index.php/tmg/article/view/61
  • Open Access
    Birdsall, C. (2013). Sonic artefacts: reality codes of urbanity in early German radio documentary. In K. Bijsterveld (Ed.), Soundscapes of the urban past: staged sound as mediated cultural heritage (pp. 129-168). (Sound studies). Transcript.
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