Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 54
Number of items: 54
  • Aydemir, M. (2008). Staging colonialism: the mise-en-scène of the Africa Museum in Tervuren, Belgium. In M. Aydemir, & A. Rotas (Eds.), Migratory settings (pp. 77-97). (Thamyris/intersecting: place, sex, and race; No. 19). Rodopi. http://www.ingentaconnect.com/content/rodopi/tham/2008/00000019/00000001/art00004
  • Open Access
    Aydemir, M. (2008). A reaction to the Früchtl/Bal debate. Krisis, 9(2), 37-40. http://archive.krisis.eu/content/2008-2/2008-2-03-aydemir.pdf
  • Aydemir, M. (2007). Images of bliss: ejaculation, masculinity, meaning. University of Minnesota Press.
  • Aydemir, M. (2007). Piecemeal Translation. Art History, 30(3), 307-325. https://doi.org/10.1111/j.1467-8365.2007.00547.x
  • Aydemir, M. (2007). Ti la lam ta lam, talim [Review of: (2007) Stuck in A Revolving Door: Securalism, Assimilation, and Democratic Pluralism (dissertation Yolande Jansen)]. Krisis, 8(4).
  • Aydemir, M. (2006). Impressions of character: Hari Kunzru's The Impressionist. In M. Bal, & B. van Eekelen (Eds.), Uncertain Territories: Boundaries in Cultural Analysis (pp. 199-218). Rodopi.
  • Aydemir, M. (2005). The Ghost of the Present: The Africa Musueum in Tervuren, Belgium. In A. Bangma (Ed.), Looking, Encountering, Staging
  • Aydemir, M. (2004). Images of bliss: ejaculation, masculinity, meaning. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Aydemir, M. (2004). Foucaults Pijn. Krisis, 1, 54-64.
  • Aydemir, M. (2004). 'Significant Discharge': The Cum Shot and Narrativity. In M. Bal (Ed.), Narrative Theory: Concepts for Literary and Cultural Studies (pp. 297-319). Routledge.
Page 5 of 6