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Results: 201
Number of items: 201
  • Open Access
    Pisters, P. (2017). I'k heb mijn duivel aan de ziel verkocht': Poésia sin fin van Alejandro Jodorowsky [Bespreking van: A. Jodorowsky (2016) Poesia Sin Fin]. De Filmkrant, 394, 10-11. http://www.filmkrant.nl/_titelindex_P/14733
  • Open Access
    Pisters, P. (2017). Metallurgisch denken. In R. de Jong (Ed.), In Staat tot Natuur: Wijsgerig Festival Drift (pp. 10-19)
  • Open Access
    Pisters, P. (2017). Metallurgic Fashion: Sartorial Transformations in Changing Techno-Mediated Worlds. Comunicazioni Sociali (CS): Journal of Media, Performing Arts and Cultural Studies, 1, 43-52. http://comunicazionisociali.vitaepensiero.com/news-issues-fashionating-images-audiovisual-media-studies-meet-fashion-4769.html
  • Open Access
    Onaran, G. (2017). Escaping entrapment: Gothic heroines in contemporary film. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Pisters, P. (2016). Filming for the Future: The Work of Louis van Gasteren. (Framing Film). Amsterdam University Press.
  • van den Oever, A., Kessler, F., Meers, P., Pisters, P., & Willemsen, S. (Eds.) (2016). Klassieke en moderne filmtheorie, 1928, 1945-1976. (Sleutelteksten film- en mediatheorie; Vol. 2). In de Walvis.
  • Open Access
    Kleinherenbrink, A. V. (2016). The politics of plasticity: Sex and gender in the 21st century brain. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Pisters, P. (2016). 'I Just Want to Be Perfect': Affective Compulsive Movement in Black Swan. The Cine-Files, 10. http://www.thecine-files.com/pisters2016/
  • Open Access
    Pisters, P. (2016). The Filmmaker as Metallurgist: Political Cinema and World Memory. Film-Philosophy, 20(1), 149-167. https://doi.org/10.3366/film.2016.0008
  • Open Access
    Vudka, A. (2016). The human chameleon: Hybrid Jews in cinema. [Thesis, fully internal, Universiteit van Amsterdam].
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