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Results: 199
Number of items: 199
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Pisters, P. (2017). I'k heb mijn duivel aan de ziel verkocht': Poésia sin fin van Alejandro Jodorowsky [Bespreking van: A. Jodorowsky (2016) Poesia Sin Fin]. De Filmkrant, 394, 10-11. http://www.filmkrant.nl/_titelindex_P/14733 -
Pisters, P. (2017). Metallurgic Fashion: Sartorial Transformations in Changing Techno-Mediated Worlds. Comunicazioni Sociali (CS): Journal of Media, Performing Arts and Cultural Studies, 1, 43-52. http://comunicazionisociali.vitaepensiero.com/news-issues-fashionating-images-audiovisual-media-studies-meet-fashion-4769.html -
Pisters, P. (2016). Cutting and Folding the Borgesian Map: Film as Complex Temporal Object in the Industrialization of Memory. In U. Ekman, J. D. Bolter, L. Díaz, M. Søndergaard, & M. Engberg (Eds.), Ubiquitous computing, complexity, and culture (pp. 324-335). Routledge. https://doi.org/10.4324/9781315781129-38 -
Pisters, P. (2016). Memory is no longer what it used to be. In S. Groes (Ed.), Memory in the twenty-first century: New critical perspectives from the arts, humanities, and sciences (pp. 213-216). Palgrave Macmillan. https://doi.org/10.1057/9781137520586_26 -
Pisters, P. (2016). 'I Just Want to Be Perfect': Affective Compulsive Movement in Black Swan. The Cine-Files, 10. http://www.thecine-files.com/pisters2016/ -
Pisters, P. (2016). The Filmmaker as Metallurgist: Political Cinema and World Memory. Film-Philosophy, 20(1), 149-167. https://doi.org/10.3366/film.2016.0008
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