Bal, M. G. (1998). Back to the future: art and its history. Semiotica, 119(3/4), 287-308.
Paalvast, P. A. W. M. (1998). Kunst & cultuur als nieuws: Het aanbod van kunst en cultuur in actualiteitenprogramma's op Nederland 3. [Thesis, externally prepared, Universiteit van Amsterdam].
Bal, M. G. (1998). Looking at the Other Side with Lili Dujourie. In The Fascinating Faces of Flanders: 58/98 Two Hours Wide or Two Hours Long (pp. 188-92). City of Antwerp.
Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Kunstverein Munchen.
Pol, C. M. (1998). Discourse on the frame. The making and unmaking of Indonesian women artists. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
Bal, M. G. (1998). Seeing Signs: The Use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). Cambridge University Press.
Bal, M. G. (1998). A Meagre One Thousand Words for Stefan Germer. Texte zur Kunst, 8 / 31, 43-45.
Bal, M. G. (1998). Back to the Future: Art and Its History. Semiotica, 3/4(119), 287-308.
Bal, M. G. (1998). Seeing signs: the use of semiotics for the understanding of visual art. In M. A. Cheetham, M. A. Holly, & K. Moxey (Eds.), The subjects of art history: historical objects in contemporary perspectives (pp. 74-93). Cambridge University Press.
Bal, M. G. (1998). A meagre one thousand words for Stefan Germer. Texte zur Kunst, 8(31), 43-45.